Category Archives: Letter from a Dead Man

Tea and Mystery at Mrs. Bridge’s Pantry

Monday, March 26th, I had the delightful pleasure of being the guest of honor at the Tea and Book Club held every last Monday (fall through spring) at Mrs. Bridges Pantry in Woodstock, Ct.  It’s an exciting experience, where I join the book club for an evening of tasty comestibles and tea, then get to talk to them and answer questions about my writing – as well as sell some books! For good luck, I wore a beautiful navy and grey two-tone suit that Yang made for me, based on a pattern he created from a vintage outfit.  Of course, I couldn’t talk about my smart-talking gal, Jessica Minton, without wearing a pin that had once belonged to one of the original smart-talking gals, Joan Bennett!

 

 

 

 

Mrs. Bridges is set in beautiful rural Connecticut, just over the border from Massachusetts.  The tea room is in a rustic wooden building.  Every day of the week but Tuesday, you can journey there for lunch, dessert, and/or afternoon tea.  They have a wide selection of black, green, red, and herbal teas.  In fact, they are a major supplier for me!  I highly recommend you visit, as I and my husband or I and my girlfriends frequently do.  The people there are so friendly and fun, you’ll feel as if you are back with chums in no time.  As you can see in the layout for the evening’s tea, there is a homey, lovely dining room.  Further, you can find on the other side of the building all kinds of teas, china, and tea-related items for sale – including Bait and Switch and Letter from a Dead Man, the perfect accompaniment to a nice cuppa!

 

 

I had a wonderful time talking to the regulars in the club about my love of mysteries from the golden age, both on the page and on the screen, and the cinematic inspirations for many of the characters in my novels.  It was also fun to talk about how evocative settings don’t just inspire a writer; they can drive you to use that place creatively.  The folks had stimulating questions about how I found time to work, did I write by the seat-of-my-pants or did I have a fully formed plot at the start,  how long it took me to complete work on a novel, or how I researched locations and events. In answer to that last point, I had fun telling them about going to New York City to test out one of Jessica’s hair-raising escapes, myself.   You’ll have to read Letter from a Dead Man to find out how it works out. Here’s a hint – it involves the lions in front of the New York Public Library.  And speaking of Patience and Fortitude (the lions’ names), it turns out that a brother and sister there that night were descended from the man who ran the business charged with moving them to the library.  Small and intriguing world, isn’t it?
It was fun to renew old acquaintances and make new friends amongst the book club folks that evening.  It was also lovely to work with Hope, who runs the Tea/Book Club, and Amber, who was our waitperson for the evening – constantly and patiently supplying me with Irish Breakfast tea!  I have a picture here of Hope and I together, but I forgot to get one of Amber.  Shame on me!  If you live in the area, check out the Tea/Book Club.  For $15.00 you have a  delicious evening  (homemade soup, tea sandwiches, dessert with homemade jam, and unlimited tea), as well as the chance to meet and talk with interesting authors (like me!).  Or just stop by Mrs. Bridges for lunch or an afternoon snack – and pick up a copy of Bait and Switch or Letter from a Dead Man while you’re there!  Dusty would approve!

 

Launching Letter from a Dead Man

Saturday, 11/18/17, Letter from a Dead Man got its official launch at The Booklovers’ Gourmet in Webster.  What a wonderful experience!  There was a nice turnout of friends, colleagues from school, fellow writers, students from WSU, and even new people I didn’t know yet.  As usual, Deb Horan had the room set up beautifully, and we all had the opportunity to partake of some yummy comestibles and beverages.  I smoothed out my vocal cords with a tasty pumpkin latte – ’tis the season!

 

We all started off by chatting about writing, teaching, and the inspirations for my 1940s-style mysteries, especially how I like to cast my characters as  favorite actors from the era: Joan Bennett and Rosalind Russell as the smart-talking Minton sisters, Lloyd Nolan as the tough-guy henchman, and Claire Trevor as the ultimate femme fatale, for example.   Interspersed with these points, I did some readings, which I’m happy to report, people found tense and intriguing.  I gave them a scene where sisters Jessica and Liz have to face off against the threats of the femme fatale’s menacing torpedo – without giving away what mysterious object he held in his hand that would prove a vital pivot for the plot.  I later read from the scene where Jessica had to flee and seek refuge from deadly pursuers behind one of the lions in front of the New York Public Library. This led to a discussion of Dead Man’s cover and the fun story where I went to New York with Yang to “test” out the scene of Jessica’s flight.

 

I was fortunate that two of my Sisters In Crime, Lisa Lieberman and Leslie Wheeler, joined me.  The three of us bounced questions and comments off one another to give the rest of the audience insights into the sources of our ideas, how we write (outliners or seat-of-our-pantsers), how we overcome writer’s block, and how good editors or writers/readers groups challenge  and inspire us to overcome obstacles in the way of getting the right words on the page and those pages into print.

 

 

Speaking of reading/writing groups, one of the posse who keeps me on my toes, my friend Judy Jeon-Chapman, was able to join us. Not only has she given me great feedback, but  there were days when she’d needle me every night to get her more chapters to calm the suspense I’d enkindled with my writing.  So, as a reward, I worked her into the third story (yet to be published)  as I was editing it!  Several of these pictures even came from her.

You can see how enthusiastic I am about talking writing here.   I also love Leslie’s “Crime Scene” scarf!

 

Maybe the best part of the day was getting to spend time with old friends and colleagues whom I hadn’t seen in a while, like Rini Kilcoyne and Jim Foley from Worcester State.  I so much appreciate how these folks support me and the good friends and coworkers they have been over the years.  I’m a lucky gal!

 

 

 

 

 

Here’s a picture of my favorite supporter!

Maybe I shouldn’t be charging him for the books?

Holiday Noir

So, Christmas noir?  The opening of a lively chorus caroling and holiday cheering over Christmas cards displaying the credits evokes holiday spirit, except litl_c-0-1080-0-0there’s always just the slightest manic edge to their liveliness creating a noir frisson.  Then the chorus ends in a startled drop as the last card slips away to reveal a gun.  Click here for a Silver/Ursini commentary on the opening.

You have holiday parties, mistletoe, presents that give away true intentions, mixed with a disappearing adulterous wife, her charmingly sleazy actor boyfriend, her sophisticated and two-faced husband, a high-class gold digger of an assistant publisher, a brutal and p1969_p_v8_aaprobably crooked cop, and a high strung mystery woman.  Leon Ames is at his most smarmy-charming as the husband, Audrey Totter is tart as a Granny Smith as the assistant, Lloyd Nolan is at his menacing and slightly psychotic best as the cop, and Jane Meadows is positively manic.  I needed a sedative after five minutes of her.  Bob Montgomery’s Philip Marlowe wasn’t bad, but he wasn’t my favorite.  He was smart and wary, but he was also a little too full of himself – especially when putting down Audrey Totter’s publishing executive.  Lloyd Nolan wasn’t the only one who wanted to slap him around.  And speaking of Lloyd, the character he plays here went a long way to inspiring one of the characters in the sequel to Bait and Switch,   Letter from a Dead Man.

I just love the great Chandler names:  Muriel Chess, Adrienne Fromsett, Derace Kingsby, Mildred Havilland, Chris Lavery, and Det. Degarmot – they just roll off your lady-in-the-lake-movie-titletongue.  But they’re real names, too, with the quirkiness you find on class rosters or employment lists.  Spolier Alert for people who speak French:  The actress playing Crystal Kingsby is listed as Elay Mort (Elle est morte.)

The plot’s a convoluted, dashing sleigh ride but it’s worth the trip.  Have fun!

Here’s a link to a trailer for the film.

If I have time, I’ll try to review some other Christmas or Holiday noir, like Coverup, Lady on a Train, Repeat Performance, or The Thin Man Goes Home.  Otherwise, there’s always next Christmas – with any luck!

collection of Lady in the Lake title cards: http://annyas.com/screenshots/updates/lady-in-the-lake-1947-title-sequence/

poster:  https://www.google.com/imgres?imgurl=http://www.gstatic.com/tv/thumb/movieposters/1969/p1969_p_v8_aa.jpg&imgrefurl=http://google.com/search%3Ftbm%3Disch%26q%3DLady%2520in%2520the%2520Lake&h=1440&w=960&tbnid=QS6aVEtEp-I23M:&vet=1&tbnh=186&tbnw=124&docid=E4FjWx9Gi_vlZM&itg=1&usg=__KVBoURWNv4fAKtZKjVPaG8cgtzY=&sa=X&ved=0ahUKEwja3L3RgInRAhVojlQKHXOOBc8Q_B0IcjAK&ei=imhcWNrvLuic0gLznJb4DA