Category Archives: Film Noir

Passport to Adventure: WSU Writers Workshop

On Friday, April 26th, I had the pleasure of joining Lisa Lieberman in presenting the writing workshop “Passport to Adventure” at Worcester State University.  Like me, Lisa writes historical mysteries.  Hers follow the adventures and intrigues of Cara Walden from 1950s Hollywood to England and Italy (special guest appearance by Cary Grant!) to Hungary during the Revolution and soon to Indochina.  Lisa is also Vice President of Sisters in Crime New England.  In that role she’s been working to bring new blood, so to speak, into our organization.  This fun work shop is one means she is rolling out to do so.  I was happy that she asked me to join her.
To give you an idea of how fun and inspirational this work shop is, here’s Lisa’s description: “The Surrealists used to pool their money and buy a one-way ticket to the furthest destination they could afford. They’d send one person off on an adventure and they’d have to make their way back somehow, and tell the others all about it when they returned.  Along they way, they’d collect talismans that helped them navigate the dark places they encountered. In this workshop, we’ll be sending each of you off on an adventure and when  you get back, you’ll have the outline of a short story.”
Of course, we didn’t literally send anyone off ‑ that would be a really long workshop.  More pragmatically, we had a display of all kinds of intriguing objects from which participants could choose for the “talismans” or souvenirs. For a destination for their journey into the mysterious, we had them select one sealed envelope from an array, each with a different noir image to inspire their journey into creativity.  They had time allotted to get started on who one character in the image was and what his/her concern was.  Then, to spice things even more, I got to do individual tarot reading of past, present, and future of their characters ‑ which would aid them in thinking through where their characters had been, what conflict they were in now, and how that conflict might be resolved.  It was fun for me to give vague interpretations of the cards and then watch our writers run with them, already inspired by their images and selected souvenirs.  Wonderfully, the writers all seemed pretty well pleased with what they had come up with and planned to continue their tales.  One fellow even told me he had finished his short story and had submitted it to the Al Blanchard Short Fiction Contest.  Since he’s one of my students, of course, I’m pulling for him to win!
Our faculty liaison, Cleve Wiese was so excited by our endeavors, that he not only now has a story he wants to finish, but asked us to come back next fall to do the session with the WSU writers’ club INK.  Another faculty member wants us to do the workshop with his course The Writers Life in the spring!  And here’s the good news for everyone else out there!  Lisa and I would be delighted to come to schools or writers’ groups to do the workshop as well!  So let me or Lisa know if you would like us to work with you.  Once again, Sisters in Crime is out there making a difference for writers, published and unpublished!  Joining was one of the best decisions I ever made!

            

On the Road Again – In a Noir Frame of Mind

 

 

In between the raging blizzards of this spring, I was fortunate enough to be able to join some wonderful fellow mystery writers to promote our books and make connections with readers and neophyte writers.  The first such adventure took Yang and I to the far north (of New York, anyway) to Ithaca and Buffalo Street Books.  Here, my friend Lisa Lieberman and I presented “An Evening of Noir,” where we not only talked about our books but about the noir films that inspired us!  Lisa’s husband Tim created this gorgeous poster for our adventure.  Note that it features my favorite femme fatale and/or smart-talking gal, Joan Bennett!  Didn’t he do a superb job?!

 

 

Lisa and I had a fun program.  I had prepared a cd of background music to help create the mood of dark, mean streets; tough detectives; mysterious dames; and haunted pasts.  Our playlist contained  multiple versions of “Laura,” “Harlem Nocturne,” “Penny Blues,” “Drink Dirty Water,” “Peter Gunn,” and even Bruce Springsteen’s “I’m on Fire,” to name a few.  And, of course, we dressed the parts, with Lisa’s swanky mink stole and slinky mystery-lady dress and my Claire Trevor femme fatale black suit with  swag, complimented by  red velvet and black feathered cap.  Watch out Phil Marlow and Sam Spade!

 

We had loads of fun talking with our audience about the trademarks of film noir  and how they influenced our novels, especially in terms of specific films.  Lisa detailed how  her experiences in Hungary and the film The Third Man  inspired the tense and dark atmosphere and tight plot twists of her  Burning Cold.  I shared how the wit, surprising reversals, and slippery characters in films like The Scar; Murder, My Sweet; and Double Indemnity shaped the latest adventures of Jessica Minton in Letter from a Dead Man.  And both us ladies of noir had a great time sharing trivia and background about the filmmakers and writers of our favorite noir films with our audience.  We had such a wonderful time, we’re thinking of adding film clips and “taking  our act on the road”!

 

My other recent appearance was on a delightful panel, with an equally delightful name:  “Stealing from the Dead.”  This Sisters-in-Crime Panel took place at Atria Bay in Barrington, RI.  I was pleased to join Frances MCNamara and Steve Liskow for a fun presentation at the community.  Both writers have fascinating books, with Frances’s latest series set in early 20th century Chicago and Steve’s in Connecticut and New York concerning the brutal reality of human trafficking.  Do click on each of their names to check out their work in greater detail.  You won’t be sorry! You can see from the picture on the left that I had a wonderful time.  If you ever want to book a Sisters-In-Crime panel for your library, school, or other such group, you can contact Leslie Wheeler at the Speakers Bureau.

I also want to extend my thanks to Margaret Shand of Atria Bay for setting up the panel.  the audience had intriguing questions and great comments for us.  My thanks to Margaret for the photo at the top of the paragraph.

 

Yang took what is probably the best shot of me, below.

Holiday Noir

So, Christmas noir?  The opening of a lively chorus caroling and holiday cheering over Christmas cards displaying the credits evokes holiday spirit, except litl_c-0-1080-0-0there’s always just the slightest manic edge to their liveliness creating a noir frisson.  Then the chorus ends in a startled drop as the last card slips away to reveal a gun.  Click here for a Silver/Ursini commentary on the opening.

You have holiday parties, mistletoe, presents that give away true intentions, mixed with a disappearing adulterous wife, her charmingly sleazy actor boyfriend, her sophisticated and two-faced husband, a high-class gold digger of an assistant publisher, a brutal and p1969_p_v8_aaprobably crooked cop, and a high strung mystery woman.  Leon Ames is at his most smarmy-charming as the husband, Audrey Totter is tart as a Granny Smith as the assistant, Lloyd Nolan is at his menacing and slightly psychotic best as the cop, and Jane Meadows is positively manic.  I needed a sedative after five minutes of her.  Bob Montgomery’s Philip Marlowe wasn’t bad, but he wasn’t my favorite.  He was smart and wary, but he was also a little too full of himself – especially when putting down Audrey Totter’s publishing executive.  Lloyd Nolan wasn’t the only one who wanted to slap him around.  And speaking of Lloyd, the character he plays here went a long way to inspiring one of the characters in the sequel to Bait and Switch, which I’m polishing up to send to my publisher:  Letter from a Dead Man.

I just love the great Chandler names:  Muriel Chess, Adrienne Fromsett, Derace Kingsby, Mildred Havilland, Chris Lavery, and Det. Degarmot – they just roll off your lady-in-the-lake-movie-titletongue.  But they’re real names, too, with the quirkiness you find on class rosters or employment lists.  Spolier Alert for people who speak French:  The actress playing Crystal Kingsby is listed as Elay Mort (Elle est morte.)

The plot’s a convoluted, dashing sleigh ride but it’s worth the trip.  Have fun!

Here’s a link to a trailer for the film.

If I have time, I’ll try to review some other Christmas or Holiday noir, like Coverup, Lady on a Train, Repeat Performance, or The Thin Man Goes Home.  Otherwise, there’s always next Christmas – with any luck!

collection of Lady in the Lake title cards: http://annyas.com/screenshots/updates/lady-in-the-lake-1947-title-sequence/

poster:  https://www.google.com/imgres?imgurl=http://www.gstatic.com/tv/thumb/movieposters/1969/p1969_p_v8_aa.jpg&imgrefurl=http://google.com/search%3Ftbm%3Disch%26q%3DLady%2520in%2520the%2520Lake&h=1440&w=960&tbnid=QS6aVEtEp-I23M:&vet=1&tbnh=186&tbnw=124&docid=E4FjWx9Gi_vlZM&itg=1&usg=__KVBoURWNv4fAKtZKjVPaG8cgtzY=&sa=X&ved=0ahUKEwja3L3RgInRAhVojlQKHXOOBc8Q_B0IcjAK&ei=imhcWNrvLuic0gLznJb4DA

Halloween Reading Treats!

Every October, I like to have some bedtime reading that suits the season.  I just finished two new books:  Midnight Fires and The Ghost and Mrs. Muir.  The first is a mystery by Nancy Means Wright that features Mary Wollstonecraft as its intrepid detective.  marywollstonecraftaWollstonecraft is a great choice for the role, as anyone who has read her Vindications would agree that she has all the nerve, smarts, and wit to boldly ask the questions and dig the dirt necessary for an investigator.  Her being cast in this role makes perfect sense. The novel is set during Wollstonecraft’s tenure as governess to the aristocratic Kingsborough family in Ireland and does a neat job of characterizing “the troubles.”  We also get good views of the workings of the Kingsborough family, as well as how contemporary views of women have stunted and warped them – right in line with MW’s own writings.  The descriptions of the landscapes are a pleasure to read as well.  Not least of all, the mystery has some neat twists and turns.

 

The Ghost and Mrs. Muir was a pleasantly amusing visit with the supernatural – a low key, smile-inducing progress of Lucy/Lucia Muir’s liberation from oppressive Edwardian propriety to become a mischievous, independent woman – with a little help from a frank and fiery sea captain’s ghost – though she was already well on her way to freedom before they met at Gull Cottage.ghost-tierney-really-good  There are some significant changes from book to film, but both work equally well.  I do think that Gene Tierney gives Lucia Muir a bit more power than the character in the book.

 

 

There are four books that I usually return to once I finish any new prizes for the month:  The Uninvited (Dorothy Mcardle), The Sign of the Ram (Margaret Ferguson), The Undying Monster (Jessie Douglas Kerriush), and  Redeeming Time (me, unpublished – yet!).  What I admire in the first three (and try to emulate in the fourth), is the depth of characterization, the creation of a powerful mystical/eerie atmosphere, the vividness of the landscapes, and the intelligence of the storylines. signoftheram What makes them such a pleasure to read is their authors’ deftness with language:  there’s enough detail to savor and shape your imagination but no excess or filler.  Right now, I’m working on The Uninvited.  I review it and The Sign of the Ram on this web site, under Golden Age MysteriesThe Undying Monster is part of the psychic detective genre, with a woman psychic brought in to help a scientist uncover the nature of the beast that has ravaged an ancient British family for centuries and now threatens to destroy his two close friends.  The novel deftly captures the post WWI fascination with psychic phenomenon and leads characters and readers into the dark depths of ancient ruins, crypts, and family history to reach a final, mystical resolution – and it’s a fun ride!

What’s Redeeming Time about?  Think H. P. Lovecraft meets film noir meets Indiana Jones meets Val Lewton.

Image of Gene Tierney from The Ghost and Mrs. Muir copyright 1946, 20th-Century Fox (http://classicbeckybrainfood.blogspot.com/2010/08/just-thought.html)

“We’re Not Making this Up”: Plainfield Library, Sisters in Crime New England

Last Saturday, I was lucky enough to participate  with two other mystery writers in a Sisters in Crime New England panel, “We’re Not Making This Up” at Plainfield11the Plainfield Library in New Hampshire. Nancy Norwalk is the wonderful lady at the library who set up our panel,  and advertised and arranged for event. I was the newbie and the two veterans were Kevin Symmons, who does romantic thrillers, sometimes with a gothic twist, and Ellen Perry Berkeley, who does gritty mysteries with a historical basis – as well as some interesting nonfiction, Maverick Cats and At Grandmother’s Table:  Women Write about Food. Kevin’s latest is Chrysalis and Ellen’s is Keith’s People.

 

IMG_1936The Library is a beautiful little brick buidling that, like the Tardis, is much bigger on the inside than it appears on the outside.  Just to make sure we knew where we were going, Nancy’s signs pointed out our way into the charming, old New England building. IMG_1940Once there, I shared a table for displaying my books with Kevin Symmons, and the three of us got started talking about our writing and answering questions from a nice turn out of about 15 people. Kevin was our adept moderator.

 

We had some interesting discussion of the merits of small, independent publishers over the big-ticket conglomerates.IMG_1942  You may not get huge advances or get as much promotion (though the latter advantage is not always available), but you also aren’t under pressure to sell 10 to 100s of thousands of books – and you don’t have to pay back an advance that low sales don’t erase. Just as good, your books tend to stay in print longer – and you tend to have more control over content.  We also had some fun and funny discussions over sex vs. romance (in the novels), how do we carve out the time to write, and do the characters spring direct from Plainfield7the unconscious or do we base them on people we know.  I ended up talking about how I like to cast my novels like a movie full of classic actors, with a few more modern folk sprinkled in.  But we all agreed that characters have a way of taking the reins and telling us what they intend to do, no matter what our original intention was – and we love it!

It was also fun to discover how we all did our research through talking to people in different fields, drawing on our own personal andPlainfield8 professional experiences, reading and immersing ourselves in the environments that would become our characters’ worlds:  whether it was WWII New York, show- horse farms, or post Viet Nam America.

I did “shock” my two panel members by admitting that I have to write my first draft with pen (no pencil- too soft!) and paper.  Otherwise, the muse just won’t flow.  She needs to travel from my mind to the paper via that sharp pen point.  Computers are for editing as far as she is concerned.  What can I say!

We writers made some nice connections with one another and with our audience – Plainfield9and I hope that we inspired some of them to keep on with their own writing and perhaps be published, themselves! And, of course, it’s always nice to sell some books!  We writers even ended up getting some reading material from each other.

Plainfield4Next, it’s on to Lowell tomorrow (5/28/16) from 2:00-4:00, where I go solo with Bait and Switch.  Maybe I’ll see some of you folk there!

Yang Speaks!

So, to keep you entertained while you breathlessly await the forthcoming blogs on my appearance at The Book Lover’s Gourmet and my adventures at the Shakespeare of America Convention in New Orleans, here’s a link to an audio interview with me by Pat Driscoll for The New Worcester Spy.  It contains more details on my interests in film noir and horror, on film and on the page, and even a little more on my background. Just click here.  It’s what Dusty would want! Dusty reduced1

 

 

Bait and Switch: My First Reading at Annie’s Bookstop

Well, after all my announcements and commotion, here, at last, is the report on my reading and signing at Annie’s Bookstop in Worcester.  I HAD A BALL! What a wonderful experience.  So, I will commemorate it in words and pictures for you.

Annies1

 

Ah, a long shot of Annie’s as viewed by the author and her entourage – aka her husband.  Hey, he’s one guy but he’s worth a battalion.  We all know that about Yang!
Wait, here’s the heart-stopping moment where I see myself and my work celebrated in an honest-to-goodness advertisement!  I’m a star!  For the day.  Sort of.  That’s good enough for me!

Annie's2

 

One of my loyal fans, Barbara Werblin greets me with gifts celebrating my great victory in actuallyAnnies3 getting the darned thing published!    We’re buddies from the “Y,” so she’s seen me in my sweats and really knows me!  Barb’s a great friend who has given me tons of encouragement – and she loves the book, too!  As the Mom of a wonderful poet, she understands the writer’s burden.  Sigh!
You can see my pal and colleague MaryLynn just behind me in the shot above. In these two pictures, you can see my friend and former student, Erin Bassler, having a good time while she reports on the event for The New Worcester Spy. (Read the article here!) Annies4Ultimately, we had about 12 or 13 people attend, all told.  I had loads of support from my friends:  students, colleagues, folks I know who enjoyed Bait and Switch and like seeing me be a wise guy.  So take a gander at some of the shots from the reading, question answering, and signing. annies5 Also, note how I got myself all gussied up in my smart-talking, forties gal, film noir look:  white blouse, black skirt, black and white spectator pumps, technicolor red lipstick.  Agent Carter, eat out your heart!

 

Someone said something shocking!  annies7How about those gorgeous flowers that Barbara got me for the occasion?  And chocolate.  She got me chocolate, too.  A brilliant woman!

 

 

 

Here are some nice shots of other folks coming up with questions, pondering the noir-style mysteries engendered by Annies8James Crawford leaving Jessica Minton that mysterious package in Bait and Switch.
Erin Fragola follows along intently while I ham up my reading in the background.
Everyone gets intense  with Pam McKay concentrating to Annies9express her thoughts on one of the many exciting and intriguing questions people posed to me on the characters, plot, historical background, cinematic style of the novel, and the true identity of Dusty. Both Erin Bassler and I look perplexed.  Must have been a humdinger of a query!  Something to do with Nazis?

 

 

 

While I’m signing books for my loyal fans, Annies11Pam and her friend Gaylene are perusing Bait and Switch to throw more thought-provoking questions my way.

Annies10

Ah, the end of an exhilarating day!  Here the author poses with her masterpiece.  I could use a nice cuppa about now.Annies12Bait and Switch is the first in the series of Jessica Minton’s adventures in the 1940s.  I’m not telling who else will be along for the ride in subsequent novels.  You’ll have to buy the books to find out!
I’m lucky to have so many friends to support me and to enjoy what I write.  My only regret is that I didn’t get to  include pictures of two people who made this wonderful day possible, but I do extend my heartfelt thanks.  Patty at Annie’s and my husband, who always believes in me – and is lots of fun to be with – yes, I know I dangled a preposition.  So there!

 

Dusty reduced1Dusty says, “Buy Bait and Switch!  Don’t miss my catly charm!”

 

 

 

 

Bait and Switch now available for pre-order; release date 12/15!

I can’t tell everyone how excited I am that Bait and Switch is now going to be available.  If you want the Kindle edition, it’s now available for pre-order through Amazon (click here), and the official release for all versions (paperback and electronic is December 15th – next week.  front coverAs a little preview, I’d like to share the cover art with you here.
My husband Yang and I designed it and executed it.  I love that it captures a ’40s noir/pulp-novel ambiance.  Would you believe that Yang used me as the model for the figure?  Well the body/clothes/ hair.  The face is, um, a somewhat younger.
LampJust for fun, note that the lamp is actually based on the WWII blackout street lamps that directed light downward, keeping submarines or potential bombers from seeing the city.  My husband is the tops, working away over the weekend to put my initial design into such an elegant form.  I owe him a lot.
I thank my publisher and Jacqueline of all trades Sheri Williams for skillfully transferring our mock up to a finished product, slaving away into the wee hours to get things done – and done right!  I appreciate it!  I hope the this cover sets a mood that the novel will carry through for your enjoyment.  In these times of holiday stress, a little tale of murder, espionage, and wise aleck cats always provides a pleasant distraction.  I’ll have additional info for you after I finish grading some more papers! I have a day job, too! If I’ve piques your curiosity about Bait and Switch, click here for a sneak peek.
WomanP.S.  I’d also like to give a tip of one of my many hats to my friends at Touchpoint , especially Leslie-Anne Garrett Stephens and my colleagues and students at Worcester State for encouraging and supporting me.

Smart Talking Gals Part 3 Lynn Bari

Blog 15  Smart Talking Gals Part 3

Lynn Bari:

Home Sweet Homicide, Nocturne, Tampico, Sleepers West, The Amazing Mr. X

Lynn Bari, of the apple cheeks, sweet but knowing smile, dark hair, and warm, throaty voice is one of my favorite smart-talking gals. Like some of the other females in this hall of cinematic fame, she could play a fourteen-karat stinker. Think of Sun Valley Serenade and Margie. Still, when she was on the side of the angels, with a little pitch fork to keep things hopping, she could be a great one to have in your corner. HomeSweetHomicideIn Home Sweet Homicide, Bari plays an attractive widow with a brood of kids whom she supports through writing murder mysteries. A real murder on her block, and the kids plot to solve it to get their mother publicity for her books and to match her up with police detective Randolph Scott. Lynn gets off some nifty quips while taking guff from no one, not even Randolph Scott (cue the celestial choir in Blazing Saddles). When he tries to imply she’s an inadequate mother who has raised a passel of overly imaginative, disingenuous children, she sets him straight without being the least flapped. First she smoothly calls him on his right to pass judgment with the smiling query, “How many children have you raised?” then puts a nifty finish on his criticism with this amused inquiry to his response, “Do you know anything about children, except what you read in books?” When he tries to offer evidence that her children aren’t telling the truth by recounting the unlikely stories they’ve given him about being born in Peru, China, and other foreign points, she affably reveals his need not to be bound by limited expectations with the information that she had traveled the world with newspaper man husband. She finishes with a show of her strength, adventurousness, and open mindedness by turning back his pity for her difficult life with the warmth in her eyes and words as she tells him, “It was heaven, and I wouldn’t have traded it for all the tea in China.”

TampicoIn Tampico, Bari plays a survivor of a U-boat attack whom merchant marine captain Edward G. Robinson fishes out of the South Atlantic. (Tampico)After some nifty verbal exchanges, the two fall in love and marry. All is not peaches and cream after that, as Robinson is led to suspect Lynn of being a Nazi fiver. Is she? Would those big brown eyes and apple cheeks serve de Fuhrer? Watch the movie and find out.

Lynn5The best of her smart-talking roles, though, is as aspiring actress Frances Ransome, opposite police detective George Raft in Nocturne. Tough guy Raft is on his mettle to match her self-confidence and smooth, mordant wit. This gal is unflappable. When Raft demands of her, “Why did you kill him?” she shoots back nonchalantly, with a hint of a smile “Which one?” A pushy date tries to top off, “Gee, Baby, it’s been a swell evening,” my forcing a kiss and she Lynn2 deftly checks him with, “Why not let it stay that way?” followed by a gentle shove and a sarcastically sweet, “Good night.” Raft tips his hat to her prowess with a dryly admiring, “As good a block as I’ve ever seen. Ever thought of playing for the Green Bay Packers?” Bari’s Frances keeps Raft’s Detective Warne firmly in place, at one point telling him, “I have a late date. And even if I hadn’t I still wouldn’t go out [with you]. Is that clear enough for you?” Later, on the set of a movie in which she’s an extra, he tries to pull off a threatening bluff to force her to come clean about the murder. With perfect control, she cuts him dead with, “Why don’t you hop on your scooter, sonny boy, and blow. I’ve got to emote.” And she doesn’t care what people think about her as long as she knows the truth. Raft tries to take her down a peg by inferring from her fancy digs and couture that he sees her as a kept woman. Instead of angrily or affrontedly protesting the truth that she’s borrowing both from a pal (hinted to be Ginger Rogers), she plays along with his misjudgment for her own amusement, responding with mock innocence, Lynn9“Can I help it if people like to give me things?”  Needless to say, Warne thinks she’s swell, doesn’t believe she’s the real killer, and takes the needling in stride, even fun, enjoying the challenge rather than looking for a crushing conquest. And those outfits! Especially the sequined cocktail dress – which leads to another great quip. Her sister comments on liking the outfit, and Frances indirectly twits Detective Warne with, “This isn’t bad considering I ran it up on a sewing machine salesman! Lynn6 Still the Detective gets a kick out of, admires, her smart sauciness, her self-confidence, and the good heart he can see keeping both company. He also has a healthy respect for how she fills out a bathing suite, as well. Lynn1 Appearances in Sleepers West and The Amazing Mr. X deserve honorable mention in the smart-talking gal category.

I’d love to think up a plot for a mystery where she could be inspiration for my heroine.  I’ll have to get cracking.  Maybe at some point she could help out Jessica and Liz in one of my sequels to Bait and Switch?  Suggestions from any Lynn Bari fans?

Last updated 8/31/15

 

Celebrating H. P. Lovecraft’s 125th

Blog 14

Two Great Films for Celebrating H. P. Lovecraft’s 125thfpublic0036-memory-h-p-lovecraft

The Brattle Theatre in Cambridge, MA is celebrating the 125th birthday of Howard Phillips Lovecraft, Providence’s own native son, with a week-long film festival. They kicked things off last night with two wonderful independent productions by HPLHS (the H.P. Lovecraft Historical Society), adaptations of “The Whisperer in the Darkness” and “The Call of C’Thullu.” Both are done in vintage form, the first as a 1930s Universal horror film––complete with zeppelin rather than bi-plane circling the globe for the opening card/production logo, though the zeppelin moves with far more stateliness across ththe screen than that buzzing aeroplane (as our boy Lovecraft would spell it). The adaptation of Whisperer was superb, with the 1930s chiaroscuro black and white cinematography creating as much eerie, unsettling mystery as the films of the earlier era, also drawing on their use of canted camera angles and under lighting to evoke a strange blend of nightmare and melancholy that was highly effective for putting the strangeness of Lovecraft on the screen. The shots of Mt. Holyoke College for Miskatonic University were delightfully Gothic. Just one thing, why do college professors in films always have offices three times what I have––or what any one I know has?The adaptation of to film was TWIDPoster4c4faithful to Lovecraft’s actual writing, adding on only what rounded out his tale in the proper vein of horror. I was a little confused at the ending, but I can’t say too much without giving anything away. I do not want to spoil this film for Lovecraft, old movie, or horror devotes. Also worth noting is that the concessions to modern film making only improved on the old style, with the acting untroubled by the early thirties, “I’ve just come from Broadway and I am ACTING!” that undermines so many performances until the mid and late 1930s. The use of stop motion animation and CGI together creates delightfully creepy creatures! It is such a wonderful film. Find it and watch it –– the perfect treat for Halloween. It’s available in dvd and Blu Ray at the HPLHS web site, C’thullu Lives!

And your second feature should be none other than the same one we saw, The Call of C’thullu. Done as a silent film, this movie, uses the lighting and shadows, camera angles, sets, music, and such of silent era masterpieces like Nosferatu, The Cabinet of Dr. Caligeri, The Cat and the Canary, and Vampyr (actually partially sound) to convey the suspense, eeriness, and ambiguity of the era. Again, the acting is sound, like that of the good silent films––not over the top as people tend to stereotype all silent features. The visit to CoCposter2436flatC’thullu’s island of R’lyeh was a tense and delightfully disquieting descent into horror. I vociferously applaud the HPLHS’s film making efforts and hope they keep at it. If you visit their site, you’ll also find great updates on all things (so to speak) Lovecraft, as well as Miskatonic paraphernalia and even sea shanties from Innsmouth on dvd. I’m inspired to go back and revise my own Lovecraft/film noir pastiche now!

Image of Lovecraft from Google Public Domain Images
Images from “The Whisperer in the Darkness” ©2011, HPLHS, Inc., all rights reserved and “The Call of C’thullu” from ©2005, HPLHS, Inc., all rights reserved.   My site is merely a fan site and no copyright infringement is intended.