Tag Archives: Mystery Making

Mystery Making: sisters in Crime Style

Last month, January, I joined two of my Sisters in Crime (NE) authors (Nicole Asselin and Barbara Struna)  at the Centerville Library on the Cape for a fun presentation:  “Mystery Making .”  The Speakers Bureau of Sisters in Crime New England offers loads of exciting, informative, and enjoyable programs, but this is one of the most popular.  The audience gets to help us create a mystery  right before their eyes!

 

 

 

 

 

 

How is this mutual creation accomplished?  I’ve seen slight variations of this method, but here’s what usually happens on the presentations in which I’ve been involved. We, the writers, collect anonymous suggestions from the audience in bags marked “names,” weapons,” “motives,” and “setting.” Then we pull suggestions from the bags without looking – well, we look enough to see that we actually get our hands in the bag – reveal what we see, then post it on a white board at the front of the room.  We really get the ball rolling by each making  suggestions and cooperatively shaping characters to go with names, shaping those characters’ lives in terms of setting.  Pulling together how setting and character relationships create motive and how all three are reflexively related to the weapon(s) used.  Of course, the order of the discussion might change at different events, but our joking interplay always brings out how all the elements in creating a mystery are interlinked.
Especially fun is the audience’s participation, as they help create the mystery novel, not just by their suggestions on the anonymous paper slips, but as we gradually invite them in for more and more participation in drawing the elements of writing a mystery into a final form.  It’s a blast to hear people arguing over what weapons are plausible and which are not (big argument over the efficacy of spatulas), or helping us weave a plot in a setting where weapons like a surf board, a yoga mat, an awl, a kazoo, and, (yes) even a spatula can be elements of doom. Really neat, a member of the audience suggested that if the yoga mat would be involved in the murder, we should call the book Savasana:  The Corpse Pose.
Click on the photo above to read the suggestions.
And then, along the way, as we talk with the audience about how we might integrate all the different elements into a tale, we get to talk about how people write (e.g. pantsers vs. plotters) and how the type of mystery you write shapes what elements you will use and how you will use them.  Nicole writes baseball-centered tales in something of a cosy mode, I write historicals in a 1940s noir mode, and Barbara writes tales set on the Cape where the mystery arises from questions of the past.  So, the audience gets to see how and why the mystery genre is so richly varied.
The beautiful thing is that getting a program like this is so easy for your library or other organization.  You can also get your pick of authors (according to availability) from the various members of Sisters in Crime New England.  Just as wonderful, the Speaker’s Bureau has other programs, as well, that focus on writing, publishing, promotion, mystery genres, etc.  Just contact Leslie Wheeler at speakersbureau@sincne.org or go to the Sisters in Crime New England web site, Speakers Bureau.  Hope to see you at an event in the future!
By the way, here I am proving that a spatula can be a deadly weapon.  so there!

Photos courtesy of Judith Marshall at Centerville Library, and De-Ping Yang

Mystery Making and a Book Fair with Sisters in Crime- NE

I recently had a ball  with Sisters in Crime New England appearances.  On February 11, I joined Ursula Wong, Edwin Hill, and Tilia Klebenov Jacobs for a session of Mystery Making at the Warwick Public Library.
We had a wonderful time working with the audience to create a mystery from their suggestions that included a standard-poodle service dog and a black-leather-clad martial arts femme fatale, both named Angelica; a retired detective with a Welsh name living on the Cape with the service dog; a baker of dog treats with a dark hidden life; a busybody who thinks she’s Miss Marple and Jessica Fletcher rolled into one; and trafficking in illegal human organs!  I got to be the MC, writing up all the suggestions on a white board and helping audience and panel alike draw their thoughts together – those teaching skills never cease to find an outlet!  How do the authors and audience put this kind of thing together?!  If you think such an adventure would be fun or inspiring for your library, school, book club, etc., click here for details from the Sisters in Crime Speakers Bureau on how to set up something.
I also had fun at the Cumberland Library Book Fair.  The library is located in a former monastery and surrounded by woods full of trails.  Gorgeous!

There were lots of folks from Sisters in Crime there, like Arlene Kay, Dale Phillips, Leslie Wheeler, Nicole Asselin, to name a few.  I made sure to wear by best 1948 ensemble, including the nylons with the seam up the back.  I also have several appearances lined up for March and April.  On Monday, March 16, I’ll be at the North Reading Library, hosting a showing of Walter Wanger’s 1940 warning to Americans about the true danger of Nazism, The Man I Married.  The film raises many telling points about how easy it is for people to be sucked in by Fascism and racism, sadly still relevant.  And it’s worth seeing just to catch Joan Bennett kicking Nazis! On April 4th (11:30), I’ll be doing a reading and signing at the Whitinsville Social Library; on April 16th (7:00), I’m doing another Sisters in Crime Mystery Making session at the Groton Public Library.  Click here for more details on my Appearances and Events Page.  Come see me!

 

Mystery Making with Sisters in Crime in Vermont

.

Recently, I had the fun experience of being involved in the Sisters in Crime panel Mystery Making at the Brattleboro Literary Festival in Vermont.  The authors with whom I participated were Sadie Hartwell and Max FolsomLisa Lieberman was our MC. This panel is quite unique, challenging our creativity and drawing in the audience to  craft a mystery with us.  How does it all work?

The audience members are all given index cards and asked to write on a separate card:  a character name, a motive for murder,  a method for murder, and a location.  Each of the three members of the panel circulates with a bags for each category, and the audience puts the appropriate card in the designated bag.  Then, under the direction of our MC, the fun begins. Starting with names, each of the panelists selects a card from the bag, and we have to come up with a character whom we think goes with that name, including a back story and how the character fits into the story.  Sleuth? Suspect?  Victim?  Sidekick?.  Then we go through each of the other bags and create a story around the locations, murder methods, and motives, working with each other and the audience to resolve conflicts and develop the intricacies of a mystery plot. Lisa kept track of the projections on a white board in the front of the theatre. I was so impressed when my husband Yang jumped in from the audience to explain how you could have  a poisoning by tofu!

Initially, I had a little trepidation about whether I would be up to the task, ad libbing a story, but I had a ball! We ended up with an intriguing tale about a vengeful love child, a shady importer, a socialite with a stripper’s past,  a militant health food maven, a deceptive scuba expert, the Nobel Prize, and, of course, poisonous tofu.

 

The Latchis Theatre in Brattleboro was quite the venue!  An art deco theatre, likely from the 1920s, this building had gorgeous statues, mosiacs, carvings, and Spider Man.  How did Spidey get in there?  Listen, bud, he’s got radioactive blood.  He can do whatever he wants.

 

 

Mystery Making is a session that is available for libraries, schools, festivals, etc. through the Sisters in Crime New England Speakers Bureau.  Usually, there is a fee, but under certain circumstances, there may not be.  Check out the web site for details at Sisters in Crime New England.