This month has blue moons, two in one month. The first day of October this year was the first full moon of the month. So, we celebrated with a trip to New Hampshire that was a triple header for us. First, we visited the grave of my favorite actor, Claude Rains, in the Red Hill Cemetery. It’s a small, peaceful place, with lots of firefighters R.I.P.ing there. The graves of Mr. Rains and his wife Rosemary are beautiful polished black stone Gothic arches. To pay tribute, we brought one of the pumpkins that we had grown ourselves this year. I liked presenting a little gift that Yang and I had worked hard to cultivate together. The foliage by the cemetery hadn’t quite turned yet, but there were still some pretty trees. When we go a bit later in the season, you often see some magnificent colors. Check this link to a blog with pictures of the foliage in a past visit.
It was still a lovely place for Mr. Rains and his wife Rosemary to take their final rest. I did want to place the pumpkin between the graves to honor them both, but I was a little worried it might roll off or get pushed away if it weren’t resting against the stone. So, Mr. Rains got the pumpkin. Maybe next time, I’ll bring two, especially if we have a bigger pumpkin crop. Click here for news on what we did harvest.
We also did a drive- by of the classic colonial with it’s three pillars where Claude Rains last resided. I wonder what the inside is like? It was nice to see a Jean Shaheen sign out front. You can’t see it in this photo, though you can see a beautiful sugar maple behind and to the left of the house.
Next on the agenda was to hike the Mt. Roberts trail in Moultonborough. It’s on the grounds of the Castle in the Clouds, but it’s free to visit and hike. Usually, we go up Red Hill, but I asked if we could start with something that ascended a bit less steeply, as this was my first major mountain climb of the year-major for me, anyway. It really wasn’t all that easy, but the hike was definitely worth it! We enjoyed the terrain, the changing colors, sighting a Brown Thrasher and a Wood Thrush (thank God for binoculars!). When we got to an overlook, we sat and ate tea eggs that Yang had made, then chunks of the yummy pumpkin bread I’d baked the night before. I was tired when we got back down, but I loved it! There are lots of trails on these grounds, so I’m looking forward to going back.
We thought this little toad was cute, too!
Does anyone know what kind of tree this leaf comes from? It’s actually a little darker in real life. The camera was accidentally set to overcompensate, so I’ve tried to properly adjust the color to match what I actually saw. So, if you know what the tree is, drop me a line in comments of on FB. I’d really like to know!
Last and never least: the first full moon of October! Yang took me to Weir Beach-I hadn’t been there since I was a teenager! It was pretty deserted, after the summer season was done, but there was a nice boardwalk from which to view the moonrise. When the moon first came over the trees, it was ENORMOUS! I thought Kronos was rising. These picture don’t do it justice. Click on them to get a bigger image.
It was a lovely evening to complete an exciting day. Gosh, I love our autumn rambles through the Northeast! I hope you’re having some fun ones as well. And if you can’t get out, please enjoy these.
I hadn’t had a chance to do up a blog of this wonderful, remarkable cemetery in Barre, VT before, which Yang and I visited three years ago in the Fall. What makes the spot so unique? Well, this town in Vermont is famous for its marble quarrying and this local product is beautifully worked to produce the most creative, unique monuments. Many of these take on unique forms to honor the life work or interests of those they honor in death.
If you’re a fan of Dr. Who, don’t blink. Otherwise, you could be pursued by those pesky stone aliens by car or plane.
The Fukuda family chose to celebrate their Japanese heritage with this rendition of a Japanese house.
This man seems to be dreaming of or lovingly guided by the spirit of his late wife, though her wafting out of cigarette smoke probably wouldn’t please the Surgeon General.
There are also some startlingly unique works of funerary art, such as the following:
The open book, as in his life was an. . . all in French.
And we can never forget the angels and urns.
There were also striking columns
All were lovely to see on a clear Vermont Sunday morning, with the fall colors tinting the trees in gorgeous contrast to the blue skies and white wisps of clouds.
“My Smart-Talking Gal Mystery Heroine: A Joan Bennett Birthday Tribute”
It’s only natural to honor Joan Bennett on her birthday by explaining her powerful influence on my writing. A lot of this influence goes back to my earlier years watching old movies. As a kid, I started out hooked on Bela Lugosi, Boris Karloff, and the rest of the stable of Universal and RKO horror films – God Bless Val Lewton! The mystery and otherworldliness of black and white film, the smart dialogue, the clever twists of plot that other forties and thirties film genres shared with horror lured me into a liminal world like a perpetual deep summer night. I was further captured by classic films’ biting wit, challenging plots, and independent women – especially in what I came to know as film noir. And who showed herself the queen of this world? Above them all, Joan Bennett.
I must admit that I first came really to know Joan when she appeared in Dark Shadows. Her Elizabeth Collins Stoddard was formidable, reminding me of my mother when I was in deep trouble. How could vampires, werewolves, and witches withstand her powerful, regal stare? Still, like my Mom, there was deep feeling and love for her daughter and her family. However, only in film did I discover Joan displaying one of the traits I loved best about my Mom: that witty, smart-talking-gal sense of humor. In outright comedy, Joan could drop a clever line with style and intelligence, but even in some of her darkest dramas that wit came through. What a delight to see her wield that humor to put firmly in their places anyone trying to crush or bamboozle her. In The House across the Bay, she undercuts a smart-mouth chorine who harangued her, “Cheep, cheep, cheep” with “Where’s the birdseed?” When the obnoxious woman tries to go after her physically, Joan rakes her over the coals with, “Just a minute, Miss Dimwit. I was silly enough to apologize, but now that you want to make something of it, I’ll give you a good reason. You’re a phony, you’ve got a voice like four panes of cracked glass, and about as much appeal as a can of embalming fluid. I could go on, but that ought to give you a rough idea of how I feel about you.” Eight years later, when Paul Henreid tries to disparage her cynicism towards him in The Scar with a deprecating, “You’re a bitter little lady,” she puts him in his place with a world-weary but tough, “It’s a bitter little world, full of sad surprises, and you don’t go around letting people hurt you.” In The Man I Married, Joan’s not even daunted by Nazis, telling her husband-turned-fascist, “Heil heel” when he promises to dump her and take their son. Her feistiness isn’t limited to verbiage, either. Take a gander at this picture.
Like my Mom, Joan played women of wit, strength, humanity, and confidence – not just what the New York Times dubbed her gallery of “hydrochloric dames.”
So, in my twenties, when I decided to take my writing seriously than developing Victoria Holt knock-offs or spoofs of Dark Shadows, I turned to 1940s style mysteries to inspire my own adventures of romance, danger, suspense, and wit. Interestingly, as a writer influenced by film, I found I could better create distinct, believable characters by casting them as actors with whom I was familiar, blending their traits with some of the people I knew (including myself!). I also knew that I didn’t want my heroine to be wimpy, weepy, and inclined to faint in the final reel or pages, which, unfortunately, did often happen on the page or screen in the ’40s and ’50s. Guess who I saw as perfect for the role of Jessica Minton, a smart, independent, quick-with-a-quip forties gal? Someone who had a sensitive heart and a strong sense of responsibility, but didn’t take guff from anyone – and would smack said guff out of the ballpark with whip smart humor.
I do see a lot of myself in Jessica – and in Joan’s less nasty roles – or maybe an idealized version of myself, anyway. I know that mischievous banter with those I love and pointed barbs for those I don’t is something I share with Jess, which Joan plays to perfection. However, I doubt that like Jessica, I’d have the guts to hold onto a mysterious package left by a mysterious and handsome British stranger at the risk of being liquidated by Nazi fifth columnists – to disguise myself as a maid to get into a criminal’s apartment while he’s still there (!) to retrieve a gun used to frame a friend – to grab a gunsel by the lapels and threaten to turn him into a soprano if he ever threatened my cat again – to show up in a shadow-draped room and wittily bargain with a gun-toting femme fatale and her hired gun to trade stolen jade for my friends’ lives – or to slip into a cove and explore a beached and rotting ship while layers of ocean fog swept in around me. I might dare to weaponize a banana-cream pie, but I can’t guarantee my aim would be as good as Jessica Minton’s. I can guarantee you that any fans of our Joanie could picture her carrying off these adventures with verve and wit, though not without human trepidation.
Those of us who love Joan Bennett and appreciate her talents would also, as Sam Fuller writes, see her as “a sensitive actress” enough to also believe her playing Jessica’s distress at being torn between loyalty to an old boyfriend and to a new man who brings her adventure and love; a sister who gets annoyed with her older sibling’s foibles leading them into danger but sticking by her to the end (though not without a smart quip or two exchanged between them); a sweetheart waiting to hear news of a fiancé lost in the war, then a wife supporting her husband’s struggle with memories from that war. And Jessica loves her cat. I know Joan was a dog person, but heck, there’s still part of me in Jessica Minton. So, she’s a cat person!
Anyway, that’s all I’ve got to say on the subject, but if you’d like to take a peek at some passages from Bait and Switch or Letter from a Dead Man, click on the links on the titles and have fun picturing Joan working her magic as Jessica Minton. Oh, and by the way, I cast her sister Elizabeth as Rosalind Russell (and my sister-on-law). Can you imagine what a grand ride it would have been to catch Joan and Roz trading quips with each other, then marshaling their humor to take on Nazis, criminally corrupt American aristocrats, femme fatales, underworld crooks, and crooked cops? And I’ve got two more books on the way! Viva Jessica Minton and Joan Bennett!
If you love mysteries on the screen or on the page, especially centered on the golden era, click here to go to my web page where you can find lots of interesting stuff – including my Joan Bennett tribute page!
Photos: Author’s collections