Category Archives: Lisa Lieberman

She Can Do It! And so Can Janet and I!

1940s mystery, A Moment After Dark, Always Play the Dark Horse, Bait and Switch, Bait and Switch, Dark Passage, Film Actors, Film Noir, Janet Raye Stevens, Jessica Minton, Joan Bennett, Letter from a Dead Man, Lisa Lieberman, Long Time, Lynn Bari, Lynnfield Library, massachusetts, My Sweet, mystery, Nocturne, Sharon Healy Yang, Sharon Yang, Smart-Talking Gals, suspense, Time Cop, World War II, writing, , , , , , , , , , , , , , , , , , , , , , , , , , ,

I first met sister-author Janet Raye Stevens when my friend Lisa Lieberman (another mystery author) asked me to join her and Janet to do a ZOOM program on the importance of clothing and fashion in the development of our mid-century mysteries.  This was my initial chance to read Janet’s Beryl Blue time cop series and her stand alone, A Moment After Dark.  I was hooked.

Janet and I both love the 1940s, especially the era’s sharp and challenging mysteries, which inspire our own writing.  We are especially taken by the “smart-talking gals” populating 1930s-40s mysteries, neither femme fatale not babyish innocent:  a woman who has been around, learned the ropes, but has not lost her integrity.

We loved the sharp wit and clever cracks of the likes of Joan Bennett, Claire Trevor (when they were playing on the side of the angels), Lynn Bari, Lauren Bacall, Ella Raines and many others.  We especially loved how they were usually the ones who set the noir’s anti-heroes straight, pulled together and made sense of the disparate threads of clues, and weren’t above skirting conventions and the law to see fairness prevail.  So, it should come as no surprise to anyone who knows us and our smart talking heroines Jessica Minton (me) and Beryl Blue and A Moment After Dark’s Addie Brandt (Janet) that we put together our heads and came up with a presentation:  “She Can Do It!  Real/‘Reel’ Women and Mid-Century Mysteries.”

We did our initial run at the Lynnfield Library, thanks to the go-ahead from Assistant Library Director Marita Klements. Our space was a loft area in the former schoolhouse, now library, where we set up a multi-media show.  We started by introducing the fact that with the war, women now had opportunities to put their considerable talents to work in factories, in the air, in battlefield hospitals, etc.

However, you can’t talk about the influence of movie smart-talking gals without showing some clips, can you?  For fun, we showed a clip from a 1938 Nancy Drew movies, where a teenage Nancy not only recognizes a kidnapping and tracks kidnappers in her car, only thwarted when her car has a flat – which she changes herself without missing a beat. Sisters were doing it for themselves in 1938, and we talked about how the wave of independence continued through the 1940s, in real and reel life.

Janet and I broke down the presentation into three sections, first showing a clip (talking about it a little), then showing its influence on our development of our heroines by each doing a related reading from her own text that reflected what went on in the scene.  Murder suspect Lynn Bari’s snappy but cool exchange with detective George Raft in Nocturne illustrated a woman with substance, unintimidated by authority. Dark Passage’s Lauren Bacall revealed a gal resourcefully rescuing Humphrey Bogart from persecution by unjust law.  Finally, Anne Shirley, in Murder, My Sweet, showed our gal calling out both men and women who misjudge or threaten her. After reading related, short excerpts from our books, Janet and I explained how these smart-talking gals influenced our heroines

We had a lot of fun, watching our audience get into our writings as we read. (It’s always great when people laugh in the right places!)  It was just as neat to see them enjoy the smart-talking gals tell it like it is, be unflummoxed by adversity – on the screen or on our pages.  We also got thoughtful questions about our research, background on the films and the actresses, and the influence of these films on women’s changed roles during and after the war.

So, if you think this evening sounded like fun, get in touch with Janet (janetrayestevens@gmail.com) or me (syang@worcester.edu) and maybe we can make an appearance at a library, senior center, or other venue near you.

(P.S. Yang made my suit based on an actual 1940s suit that I own!)

 

 

 

 

Mystery Making with Sisters in Crime in Vermont

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Recently, I had the fun experience of being involved in the Sisters in Crime panel Mystery Making at the Brattleboro Literary Festival in Vermont.  The authors with whom I participated were Sadie Hartwell and Max Folsom.  Lisa Lieberman was our MC. This panel is quite unique, challenging our creativity and drawing in the audience to  craft a mystery with us.  How does it all work?

The audience members are all given index cards and asked to write on a separate card:  a character name, a motive for murder,  a method for murder, and a location.  Each of the three members of the panel circulates with a bags for each category, and the audience puts the appropriate card in the designated bag.  Then, under the direction of our MC, the fun begins. Starting with names, each of the panelists selects a card from the bag, and we have to come up with a character whom we think goes with that name, including a back story and how the character fits into the story.  Sleuth? Suspect?  Victim?  Sidekick?.  Then we go through each of the other bags and create a story around the locations, murder methods, and motives, working with each other and the audience to resolve conflicts and develop the intricacies of a mystery plot. Lisa kept track of the projections on a white board in the front of the theatre. I was so impressed when my husband Yang jumped in from the audience to explain how you could have  a poisoning by tofu!

Initially, I had a little trepidation about whether I would be up to the task, ad libbing a story, but I had a ball! We ended up with an intriguing tale about a vengeful love child, a shady importer, a socialite with a stripper’s past,  a militant health food maven, a deceptive scuba expert, the Nobel Prize, and, of course, poisonous tofu.

 

The Latchis Theatre in Brattleboro was quite the venue!  An art deco theatre, likely from the 1920s, this building had gorgeous statues, mosiacs, carvings, and Spider Man.  How did Spidey get in there?  Listen, bud, he’s got radioactive blood.  He can do whatever he wants.

 

 

Mystery Making is a session that is available for libraries, schools, festivals, etc. through the Sisters in Crime New England Speakers Bureau.  Usually, there is a fee, but under certain circumstances, there may not be.  Check out the web site for details at Sisters in Crime New England.

 

Passport to Adventure: WSU Writers Workshop

1940s mystery, book signings and readings, Burning Cold, Film Noir, Jessica Minton, Letter from a Dead Man, Lisa Lieberman, mystery, Mystery Writing Workshop, Sisters in crime New England, suspense, Worcester, Worcester State English Majors, writing, Writing Workshop, , , , , , , , ,
On Friday, April 26th, I had the pleasure of joining Lisa Lieberman in presenting the writing workshop “Passport to Adventure” at Worcester State University.  Like me, Lisa writes historical mysteries.  Hers follow the adventures and intrigues of Cara Walden from 1950s Hollywood to England and Italy (special guest appearance by Cary Grant!) to Hungary during the Revolution and soon to Indochina.  Lisa is also Vice President of Sisters in Crime New England.  In that role she’s been working to bring new blood, so to speak, into our organization.  This fun work shop is one means she is rolling out to do so.  I was happy that she asked me to join her.
To give you an idea of how fun and inspirational this work shop is, here’s Lisa’s description: “The Surrealists used to pool their money and buy a one-way ticket to the furthest destination they could afford. They’d send one person off on an adventure and they’d have to make their way back somehow, and tell the others all about it when they returned.  Along they way, they’d collect talismans that helped them navigate the dark places they encountered. In this workshop, we’ll be sending each of you off on an adventure and when  you get back, you’ll have the outline of a short story.”
Of course, we didn’t literally send anyone off ‑ that would be a really long workshop.  More pragmatically, we had a display of all kinds of intriguing objects from which participants could choose for the “talismans” or souvenirs. For a destination for their journey into the mysterious, we had them select one sealed envelope from an array, each with a different noir image to inspire their journey into creativity.  They had time allotted to get started on who one character in the image was and what his/her concern was.  Then, to spice things even more, I got to do individual tarot reading of past, present, and future of their characters ‑ which would aid them in thinking through where their characters had been, what conflict they were in now, and how that conflict might be resolved.  It was fun for me to give vague interpretations of the cards and then watch our writers run with them, already inspired by their images and selected souvenirs.  Wonderfully, the writers all seemed pretty well pleased with what they had come up with and planned to continue their tales.  One fellow even told me he had finished his short story and had submitted it to the Al Blanchard Short Fiction Contest.  Since he’s one of my students, of course, I’m pulling for him to win!
Our faculty liaison, Cleve Wiese was so excited by our endeavors, that he not only now has a story he wants to finish, but asked us to come back next fall to do the session with the WSU writers’ club INK.  Another faculty member wants us to do the workshop with his course The Writers Life in the spring!  And here’s the good news for everyone else out there!  Lisa and I would be delighted to come to schools or writers’ groups to do the workshop as well!  So let me or Lisa know if you would like us to work with you.  Once again, Sisters in Crime is out there making a difference for writers, published and unpublished!  Joining was one of the best decisions I ever made!

            

On the Road Again – In a Noir Frame of Mind

1940s mystery, Bait and Switch, Bait and Switch, book signings and readings, Buffalo Street Books, Burning Cold, Claire Trevor, Film Noir, Frances MCNamara, Jessica Minton, Joan Bennett, Letter from a Dead Man, Lisa Lieberman, mystery, Sisters in crime New England, Smart-Talking Gals, Steve Liskow, suspense, The Third Man, writing, , , , ,

 

 

In between the raging blizzards of this spring, I was fortunate enough to be able to join some wonderful fellow mystery writers to promote our books and make connections with readers and neophyte writers.  The first such adventure took Yang and I to the far north (of New York, anyway) to Ithaca and Buffalo Street Books.  Here, my friend Lisa Lieberman and I presented “An Evening of Noir,” where we not only talked about our books but about the noir films that inspired us!  Lisa’s husband Tim created this gorgeous poster for our adventure.  Note that it features my favorite femme fatale and/or smart-talking gal, Joan Bennett!  Didn’t he do a superb job?!

 

 

Lisa and I had a fun program.  I had prepared a cd of background music to help create the mood of dark, mean streets; tough detectives; mysterious dames; and haunted pasts.  Our playlist contained  multiple versions of “Laura,” “Harlem Nocturne,” “Penny Blues,” “Drink Dirty Water,” “Peter Gunn,” and even Bruce Springsteen’s “I’m on Fire,” to name a few.  And, of course, we dressed the parts, with Lisa’s swanky mink stole and slinky mystery-lady dress and my Claire Trevor femme fatale black suit with  swag, complimented by  red velvet and black feathered cap.  Watch out Phil Marlow and Sam Spade!

 

We had loads of fun talking with our audience about the trademarks of film noir  and how they influenced our novels, especially in terms of specific films.  Lisa detailed how  her experiences in Hungary and the film The Third Man  inspired the tense and dark atmosphere and tight plot twists of her  Burning Cold.  I shared how the wit, surprising reversals, and slippery characters in films like The Scar; Murder, My Sweet; and Double Indemnity shaped the latest adventures of Jessica Minton in Letter from a Dead Man.  And both us ladies of noir had a great time sharing trivia and background about the filmmakers and writers of our favorite noir films with our audience.  We had such a wonderful time, we’re thinking of adding film clips and “taking  our act on the road”!

 

My other recent appearance was on a delightful panel, with an equally delightful name:  “Stealing from the Dead.”  This Sisters-in-Crime Panel took place at Atria Bay in Barrington, RI.  I was pleased to join Frances MCNamara and Steve Liskow for a fun presentation at the community.  Both writers have fascinating books, with Frances’s latest series set in early 20th century Chicago and Steve’s in Connecticut and New York concerning the brutal reality of human trafficking.  Do click on each of their names to check out their work in greater detail.  You won’t be sorry! You can see from the picture on the left that I had a wonderful time.  If you ever want to book a Sisters-In-Crime panel for your library, school, or other such group, you can contact Leslie Wheeler at the Speakers Bureau.

I also want to extend my thanks to Margaret Shand of Atria Bay for setting up the panel.  the audience had intriguing questions and great comments for us.  My thanks to Margaret for the photo at the top of the paragraph.

 

Yang took what is probably the best shot of me, below.