Last Saturday, I was lucky enough to participate with two other mystery writers in a Sisters in Crime New England panel, “We’re Not Making This Up” at the Plainfield Library in New Hampshire. Nancy Norwalk is the wonderful lady at the library who set up our panel, and advertised and arranged for event. I was the newbie and the two veterans were Kevin Symmons, who does romantic thrillers, sometimes with a gothic twist, and Ellen Perry Berkeley, who does gritty mysteries with a historical basis – as well as some interesting nonfiction, Maverick Cats and At Grandmother’s Table: Women Write about Food. Kevin’s latest is Chrysalis and Ellen’s is Keith’s People.
The Library is a beautiful little brick buidling that, like the Tardis, is much bigger on the inside than it appears on the outside. Just to make sure we knew where we were going, Nancy’s signs pointed out our way into the charming, old New England building. Once there, I shared a table for displaying my books with Kevin Symmons, and the three of us got started talking about our writing and answering questions from a nice turn out of about 15 people. Kevin was our adept moderator.
We had some interesting discussion of the merits of small, independent publishers over the big-ticket conglomerates. You may not get huge advances or get as much promotion (though the latter advantage is not always available), but you also aren’t under pressure to sell 10 to 100s of thousands of books – and you don’t have to pay back an advance that low sales don’t erase. Just as good, your books tend to stay in print longer – and you tend to have more control over content. We also had some fun and funny discussions over sex vs. romance (in the novels), how do we carve out the time to write, and do the characters spring direct from the unconscious or do we base them on people we know. I ended up talking about how I like to cast my novels like a movie full of classic actors, with a few more modern folk sprinkled in. But we all agreed that characters have a way of taking the reins and telling us what they intend to do, no matter what our original intention was – and we love it!
It was also fun to discover how we all did our research through talking to people in different fields, drawing on our own personal and professional experiences, reading and immersing ourselves in the environments that would become our characters’ worlds: whether it was WWII New York, show- horse farms, or post Viet Nam America.
I did “shock” my two panel members by admitting that I have to write my first draft with pen (no pencil- too soft!) and paper. Otherwise, the muse just won’t flow. She needs to travel from my mind to the paper via that sharp pen point. Computers are for editing as far as she is concerned. What can I say!
We writers made some nice connections with one another and with our audience – and I hope that we inspired some of them to keep on with their own writing and perhaps be published, themselves! And, of course, it’s always nice to sell some books! We writers even ended up getting some reading material from each other.