Once school was out- permanently for me now! – I had more time for readings/talks/signings. One of my first events was the Local Author Book Fair in Worcester at the Wesley United Methodist Church. This was a signing and chatting rather than a reading. I had a wonderful time. I met lots of new readers and also got to talk with many other local writers. Jean Grant and I did a book trade, so I’m looking forward to reading her A Hundred Breaths this summer. I also saw some old friends. Kate Zebrowski, whom I know from my time at Worcester State, had the table next to mine where she was promoting her time-slip fantasy Sleepwalking Backwards as well as her poetry. Tom and Barbara Ingrassia were at the other end of the auditorium with tables for their work as well – Barbara on copyright law and Tom with his “supreme” books on the Supremes (Reflections of a Love Supreme) and self-help (One Door Closes). By the Bye, Tom’s One Door Closes is being turned into a film that is nearing conclusion. Stay tuned for more on that!
In June, I returned to my alma mater where I earned my BA, then ULowell- now UMass-Lowell, to give a talk on becoming a published author through the school’s LIRA (Learning in Retirement Association) Program. To my delight, the talk was at the South Campus (originally Lowell State), where I did all my course work. We were in Allen House, a beautiful old building on a rise overlooking the Merrimack River. There are some wonderful views, as you can see from this photo that my cameraman and husband, Yang, took.
I can remember going to some receptions here back in the mid to late ’70s when I was an undergraduate- a child undergraduate, that is. The place was entirely redone after having been abandoned for a long time after I had graduated – no connection. The room I presented in was done beautifully in dark wood paneling with floor-to-ceiling doors looking out on a green and then down to the river.
The presentation was loads of fun, with a packed house and an audience who had great questions for me on my personal experiences as a writer and on the travails of finding a publisher and promoting my work. I especially loved sharing with the audience the powerful influence of filmed and written mysteries of the golden age and film noir on creating Bait and Switch and Letter from a Dead Man. Of course, I made sure to give a tip of my mightily feathered hat to my favorite smart-talking gal Joan Bennett and her influence on the creation of my heroine Jessica Minton. I also got some nice comments on my hat and suit! The nylons with the seam up the back (from the WWII Museum in New Orleans) were a big hit, too!
Look here. I CAN walk and talk at the same time! Thank God no one asked me to chew gum! One bridge too far.
Interestingly enough, I also met some people who knew folk I with whom went to grammar school and high school! And people laughed at my jokes, too! So, the summer has started off nicely in terms of doing readings and such. Now, it’s on to Pettee Memorial Library in Wilmington, Vt. on Saturday, 6/22. Hmm, which hat and suit should I wear. Any suggestions?
In between the raging blizzards of this spring, I was fortunate enough to be able to join some wonderful fellow mystery writers to promote our books and make connections with readers and neophyte writers. The first such adventure took Yang and I to the far north (of New York, anyway) to Ithaca and Buffalo Street Books. Here, my friend Lisa Lieberman and I presented “An Evening of Noir,” where we not only talked about our books but about the noir films that inspired us! Lisa’s husband Tim created this gorgeous poster for our adventure. Note that it features my favorite femme fatale and/or smart-talking gal, Joan Bennett! Didn’t he do a superb job?!
Lisa and I had a fun program. I had prepared a cd of background music to help create the mood of dark, mean streets; tough detectives; mysterious dames; and haunted pasts. Our playlist contained multiple versions of “Laura,” “Harlem Nocturne,” “Penny Blues,” “Drink Dirty Water,” “Peter Gunn,” and even Bruce Springsteen’s “I’m on Fire,” to name a few. And, of course, we dressed the parts, with Lisa’s swanky mink stole and slinky mystery-lady dress and my Claire Trevor femme fatale black suit with swag, complimented by red velvet and black feathered cap. Watch out Phil Marlow and Sam Spade!
We had loads of fun talking with our audience about the trademarks of film noir and how they influenced our novels, especially in terms of specific films. Lisa detailed how her experiences in Hungary and the film The Third Man inspired the tense and dark atmosphere and tight plot twists of her Burning Cold. I shared how the wit, surprising reversals, and slippery characters in films like The Scar; Murder, My Sweet; and Double Indemnity shaped the latest adventures of Jessica Minton in Letter from a Dead Man. And both us ladies of noir had a great time sharing trivia and background about the filmmakers and writers of our favorite noir films with our audience. We had such a wonderful time, we’re thinking of adding film clips and “taking our act on the road”!
My other recent appearance was on a delightful panel, with an equally delightful name: “Stealing from the Dead.” This Sisters-in-Crime Panel took place at Atria Bay in Barrington, RI. I was pleased to join Frances MCNamara and Steve Liskow for a fun presentation at the community. Both writers have fascinating books, with Frances’s latest series set in early 20th century Chicago and Steve’s in Connecticut and New York concerning the brutal reality of human trafficking. Do click on each of their names to check out their work in greater detail. You won’t be sorry! You can see from the picture on the left that I had a wonderful time. If you ever want to book a Sisters-In-Crime panel for your library, school, or other such group, you can contact Leslie Wheeler at the Speakers Bureau.
I also want to extend my thanks to Margaret Shand of Atria Bay for setting up the panel. the audience had intriguing questions and great comments for us. My thanks to Margaret for the photo at the top of the paragraph.
Yang took what is probably the best shot of me, below.
Last Saturday, I was lucky enough to participate with two other mystery writers in a Sisters in Crime New England panel, “We’re Not Making This Up” at the Plainfield Library in New Hampshire. Nancy Norwalk is the wonderful lady at the library who set up our panel, and advertised and arranged for event. I was the newbie and the two veterans were Kevin Symmons, who does romantic thrillers, sometimes with a gothic twist, and Ellen Perry Berkeley, who does gritty mysteries with a historical basis – as well as some interesting nonfiction, Maverick Cats and At Grandmother’s Table: Women Write about Food. Kevin’s latest is Chrysalis and Ellen’s is Keith’s People.
The Library is a beautiful little brick buidling that, like the Tardis, is much bigger on the inside than it appears on the outside. Just to make sure we knew where we were going, Nancy’s signs pointed out our way into the charming, old New England building. Once there, I shared a table for displaying my books with Kevin Symmons, and the three of us got started talking about our writing and answering questions from a nice turn out of about 15 people. Kevin was our adept moderator.
We had some interesting discussion of the merits of small, independent publishers over the big-ticket conglomerates. You may not get huge advances or get as much promotion (though the latter advantage is not always available), but you also aren’t under pressure to sell 10 to 100s of thousands of books – and you don’t have to pay back an advance that low sales don’t erase. Just as good, your books tend to stay in print longer – and you tend to have more control over content. We also had some fun and funny discussions over sex vs. romance (in the novels), how do we carve out the time to write, and do the characters spring direct from the unconscious or do we base them on people we know. I ended up talking about how I like to cast my novels like a movie full of classic actors, with a few more modern folk sprinkled in. But we all agreed that characters have a way of taking the reins and telling us what they intend to do, no matter what our original intention was – and we love it!
It was also fun to discover how we all did our research through talking to people in different fields, drawing on our own personal and professional experiences, reading and immersing ourselves in the environments that would become our characters’ worlds: whether it was WWII New York, show- horse farms, or post Viet Nam America.
I did “shock” my two panel members by admitting that I have to write my first draft with pen (no pencil- too soft!) and paper. Otherwise, the muse just won’t flow. She needs to travel from my mind to the paper via that sharp pen point. Computers are for editing as far as she is concerned. What can I say!
We writers made some nice connections with one another and with our audience – and I hope that we inspired some of them to keep on with their own writing and perhaps be published, themselves! And, of course, it’s always nice to sell some books! We writers even ended up getting some reading material from each other.
The Book Lover’s Gourmet is a little gem of a bookstore and cafe in Webster, MA. I was fortunate to do a reading and signing there on March 19th! There’s a lovely selection of books of all kinds, with an especially nice section of children’s books and another of local authors (including me!). Ah, the excitement of seeing your name and book title, well, not in lights – but at least in magic marker on the white board! There I am in turquoise, one of my favorite colors, third from the bottom.
So, let’s get started, in the cozy little room where people usually sit and enjoy scrumptious pastries – or quiche if they’re more in the mood for savory. And don’t forget the coffee, chai, lattes, and cappuccino – mine’s right behind me in this picture. I must have said something profound, because Bill Graves (one of my sharpest students) is smiling and pondering, while another sharp cookie, Joanne Evans, is exchanging deep thoughts on the writing and publishing processes with me. You can tell it’s a profound conversation by the way we’re raising our mitts to make our points. I just wonder what brings that cat-that-ate-the-canary smile to Kathy Healey’s face. She’s probably thinking about finally being finished editing the Gothic Landscapes book – well almost finally.
The conversation continues. Elizabeth Gaumond listens with rapt attention. I look reflective. So does Joanne – or has my reading put her to sleep? No, not the adventures of Jessica, Elizabeth, James, and Dusty!
Meanwhile, across the room, Pam Graves, Barbara Ingrassia, and Kate Zebrowski seem to be enjoying the reading of Jessica Minton’s encounter with a mysterious stranger, his mysterious package, and a threatening chap who’s built along the “graceful” lines of a fireplug. Note the display case of goodies behind them.
My husband Yang seems to be having a humorous time for himself with them and Cookie Gaumond (Elizabeth’s Mom). Maybe it was the line about Jessica fearing she might have to slug a G.I. for his Hershey bar. That’s not very patriotic of her! Barbara’s husband Tom gallantly rose to give up his seat for Cookie, so you don’t see him here.
Something that was particularly fun and informative about this session was that we had two other authors present. Joanne has authored and illustrated a marvelously beautiful, creative, informative and fun children’s book Seashells, Treasures from the Northeast Coast and graciously gifted me with a copy. I want to buy copies for the little kids in my life, now. Tom Ingrassia has written two books, himself. One, Reflections of a Love Supreme, is a wonderful book on the Motown story “through the eyes of the fans,” as the subheading explains. It’s filled with unique pictures from the fans and fascinating, fun background stories of fans and artists that don’t bog you down in all the depressing scandals but still give you an intriguing insight into the bonds between the people on both sides of the stage. One Door Closes is an enjoyable and helpful collection of essays by people who have dealt with disappointment and misfortune by redefining their lives creatively and joyously. Then, there were also some neophyte writers with questions about writing, publishing, promoting – as well as legal aspects – so, we could talk about our experiences to help them with their questions on how to get their writing off their computers and into the hands of the public. Barbara had great advice on legal concerns.
So, why am I excitedly on my feet here? I was delighted to find my friend and colleague, Jim Foley had come with his wife Lois and his son James. Yay! Fellow MST3K and Shakespeare and music fans! How can things go wrong?!
The day draws to a close, and I get to sign books for my delighted fans – and, no, students attending did not have to buy a book to pass my classes.
Well, I don’t know what cracked me up, but it must have been pretty good. Someone must have quoted a quip from those Smart-Talking Gals Jessica Minton and her sister Elizabeth Hennessey. Or maybe someone asked me if I was going to pick up the coffee and pastry tab for the whole crew? Anyway, this was a lovely gathering: old friends, new ones, all mixing together and either renewing old ties or forging new ones. That might be what I love best about these signings. They’re like parties where you catch up with people, meet new ones, and share dreams and ideas – and, of course, people buy my book.
And here’s one last look at that luscious array of comestibles that Debra Horan serves up with nifty book chasers in cozy surroundings. The Book Lover’s Gourmet is a great reason to pass up Amazon so you can enjoy the warmth of a beautifully decorated store with real people. And Bait and Switch is definitely on sale there, so hurry down, buy a copy, and sit down with something tasty and refreshing in a sunlit room to read! Save a spot in the sun for Dusty!
So, to keep you entertained while you breathlessly await the forthcoming blogs on my appearance at The Book Lover’s Gourmet and my adventures at the Shakespeare of America Convention in New Orleans, here’s a link to an audio interview with me by Pat Driscoll for The New Worcester Spy. It contains more details on my interests in film noir and horror, on film and on the page, and even a little more on my background. Just click here. It’s what Dusty would want!
Well, after all my announcements and commotion, here, at last, is the report on my reading and signing at Annie’s Bookstop in Worcester. I HAD A BALL! What a wonderful experience. So, I will commemorate it in words and pictures for you.
Ah, a long shot of Annie’s as viewed by the author and her entourage – aka her husband. Hey, he’s one guy but he’s worth a battalion. We all know that about Yang!
Wait, here’s the heart-stopping moment where I see myself and my work celebrated in an honest-to-goodness advertisement! I’m a star! For the day. Sort of. That’s good enough for me!
One of my loyal fans, Barbara Werblin greets me with gifts celebrating my great victory in actually getting the darned thing published! We’re buddies from the “Y,” so she’s seen me in my sweats and really knows me! Barb’s a great friend who has given me tons of encouragement – and she loves the book, too! As the Mom of a wonderful poet, she understands the writer’s burden. Sigh!
You can see my pal and colleague MaryLynn just behind me in the shot above. In these two pictures, you can see my friend and former student, Erin Bassler, having a good time while she reports on the event for The New Worcester Spy. (Read the article here!) Ultimately, we had about 12 or 13 people attend, all told. I had loads of support from my friends: students, colleagues, folks I know who enjoyed Bait and Switch and like seeing me be a wise guy. So take a gander at some of the shots from the reading, question answering, and signing. Also, note how I got myself all gussied up in my smart-talking, forties gal, film noir look: white blouse, black skirt, black and white spectator pumps, technicolor red lipstick. Agent Carter, eat out your heart!
Someone said something shocking! How about those gorgeous flowers that Barbara got me for the occasion? And chocolate. She got me chocolate, too. A brilliant woman!
Here are some nice shots of other folks coming up with questions, pondering the noir-style mysteries engendered by James Crawford leaving Jessica Minton that mysterious package in Bait and Switch.
Erin Fragola follows along intently while I ham up my reading in the background.
Everyone gets intense with Pam McKay concentrating to express her thoughts on one of the many exciting and intriguing questions people posed to me on the characters, plot, historical background, cinematic style of the novel, and the true identity of Dusty. Both Erin Bassler and I look perplexed. Must have been a humdinger of a query! Something to do with Nazis?
While I’m signing books for my loyal fans, Pam and her friend Gaylene are perusing Bait and Switch to throw more thought-provoking questions my way.
Ah, the end of an exhilarating day! Here the author poses with her masterpiece. I could use a nice cuppa about now.Bait and Switch is the first in the series of Jessica Minton’s adventures in the 1940s. I’m not telling who else will be along for the ride in subsequent novels. You’ll have to buy the books to find out!
I’m lucky to have so many friends to support me and to enjoy what I write. My only regret is that I didn’t get to include pictures of two people who made this wonderful day possible, but I do extend my heartfelt thanks. Patty at Annie’s and my husband, who always believes in me – and is lots of fun to be with – yes, I know I dangled a preposition. So there!
I can’t tell everyone how excited I am that Bait and Switch is now going to be available. If you want the Kindle edition, it’s now available for pre-order through Amazon (click here), and the official release for all versions (paperback and electronic is December 15th – next week. As a little preview, I’d like to share the cover art with you here.
My husband Yang and I designed it and executed it. I love that it captures a ’40s noir/pulp-novel ambiance. Would you believe that Yang used me as the model for the figure? Well the body/clothes/ hair. The face is, um, a somewhat younger.
Just for fun, note that the lamp is actually based on the WWII blackout street lamps that directed light downward, keeping submarines or potential bombers from seeing the city. My husband is the tops, working away over the weekend to put my initial design into such an elegant form. I owe him a lot.
I thank my publisher and Jacqueline of all trades Sheri Williams for skillfully transferring our mock up to a finished product, slaving away into the wee hours to get things done – and done right! I appreciate it! I hope the this cover sets a mood that the novel will carry through for your enjoyment. In these times of holiday stress, a little tale of murder, espionage, and wise aleck cats always provides a pleasant distraction. I’ll have additional info for you after I finish grading some more papers! I have a day job, too! If I’ve piques your curiosity about Bait and Switch, click here for a sneak peek.