All posts by healy24yang

In the Bleak Midwinter: Hillside Cemetery

Just before the New Year, after a late December snow, Yang and I seized the occasion of some slightly warmer weather to take a walk in the Hillside Cemetery of North Adams, Mass. This cemetery is notable for more than one reason. First, it is split in half by Route 2. Second, its sloping grounds (more on one side than the other) create an eerie, desolate, even Lovecraftian, ambience. Those grounds are dotted with beautiful, if weather-worn, monuments. There is so much to remark, that I intend to split my blog into two parts: one for each side of Route 2.
This first blog focuses on the older section, which, though clearly on a hillside, presents far fewer and less abrupt rolling hills. It’s also the smaller of the two. Nevertheless, this shot reveals your legs will get a more than adequate workout hiking up these slopes. No matter which side of the highway you’re on, you see that you are encompassed by the Berkshires.
This white, colonaded mausoleum  is particularly interesting. You can see that it belongs to a family who must have been rather important in the town, perhaps even into the twentieth century. If you come closer, you can perceive the ironwork gate to the building has been sculpted into the graceful form of a woman. She faces away from this world into the next, for which the the mausoleum proves a portal,  Her form clings to the door and is curved with sorrow. The forsythia wreath wrapped over her right hand suggests that members of that family are still in the town, or at least are close enough to visit the grave. I was also struck by the beautiful Tiffany window that was part of the mausoleum.

 

 

 

 

 

Interestingly, the natural and the artistic worlds came to mirror each other in this portion of the Hillside Cemetery. I was much taken with this hewn from stone monument of the traditional broken tree, symbolizing growing life cut off. Age and weathering had buffed and grey-whitened this monument into a kind of soft purity. The burnt green and tawny grass, though muted colors, still provided a notable contrast to the stone. And then nature offered it’s own version of this monument in the blasted yet weather smoothed form of this ancient dead tree, its edges also rising  jaggedly toward the sky. Yet perhaps the actual tree was not quite such a symbol of life cut off, for it would be the perfect place for owls, woodpeckers, and squirrels to make home-though not all together! While all around the mountains hold us in.

 

There were  plenty of other intriguing monuments and carvings. I loved this contemplative, if not quite grieving, woman set on high. Bitter western Massachusetts winters had softened her sorrowing expression, but her posture, the thoughtful cock of her head, told the tale of her loss and reflections on it.

 

The relief on this tombstone of an anchor perhaps reveals that an adventurer on the seas had retired to the inner realms of New England to find his final rest. Check out the picture of the tomb itself and then the closeup of the relief.

 

 

This red rock column fascinated me, as well: so graceful and predominant on the slope. And those slopes were rolling to say the least! I’m glad we didn’t roll back down them. A close up also reveals a significant relief on the column: the inverted torch symbolizing death.

 

Here are more pictures to give you a sense of the sometimes steep, sometimes rolling grounds, all encompassed by the greys and faded browns of wintry Berkshires before snow would come to predominate. It’s an old place, a deserted place (even with Route 2 running by). An apt setting for a Lovecraft novel or short story-but not quite as apt as the part of the graveyard across the road. That photo blog is for another day!

 

 

 

 

 

 

Return of the Eiders, or You Get Down from a Duck

Every year, Yang and I make a pilgrimage to the Cape to check out the migrating ducks.  Usually we make the trip in mid-January or early February, not far from my birthday.  This year, we went on January 15th, and we weren’t disappointed.  We saw ruddy ducks, hooded and rust-breasted mergansers, a red-throated loon, swans, etc.  However, at first I was a little let down because I didn’t see the annual flock of eiders bobbing on ocean waves.  That  disappointment disappeared as we moved further along the beach trail.
Yang and I saw some dark specks floating on rough seas not far from a jetty.  The sun was in our eyes at first, so even with binoculars, we weren’t sure what we were seeing.  Then, we got out to a place with better lighting, and there they were:  my pals the eider ducks!  I’m not sure if we are going to that jetty to see them  every year or if they’re returning to get a peek at us!  Anyway, it was a delight to watch them  carried up and down by the waves, even swimming into a little cove of the jetty.  As you can see, we were able to get pretty close.
A couple of duck were giving us the once over in these shots!  Right in the center of the picture.

Especially interesting, I had never noticed that the males have a white stripe down the back of the black feathers on their heads.  I’d also never noticed  the greenish/yellowish/grey patch at the bottom of that black cap, either.  Click on the photos here to get a closer look.  Every year it’s something new.  Do you think they noticed something different about Yang and I this year?
Significance of the subtitle:  Remember the old joke?  “How do you get down from and elephant?  You don’t.  You get down from a duck.”  Eider down, right?

 

Enjoy the ducks in motion:

Christmas Noir II: Beyond Tomorrow

This year, my subject for Christmas noir is Beyond Tomorrow  (1940), an intriguing little dark fairy tale.  Well, aren’t most fairy tales dark somewhere along the line?  Edward Sutherland’s film starts with three “fairy godfathers,” wealthy old gents and business partners.  One Christmas Eve, on a whim ˗˗ and out of loneliness ˗˗ each puts his business card into a separate wallet with ten dollars and tosses it out the window of their mansion onto the snowy Manhattan sidewalk below.  All to see who will return the wallets and perhaps become a new friend to replace the old ones that one partner points out have disappeared into death.
Indeed, fate seems to reward them.  The first wallet is nabbed by a jaded socialite, who keeps it while carelessly tossing the ten bucks  to her chauffeur.  They dodge a bullet missing this brittle babe.  The other wallets are returned by two who promise to fulfill the old men’s wishes for rejuvenating friendship.  The first is Jim Houston, a polite, young, down-on-his-luck cowboy, stranded after a rodeo at Madison Square Garden.   The second is a Jean Lawrence, a sweetly pretty but pert and practical young woman who works and lives at a children’s clinic run by “The Wayne Foundation” (Bruce’s parents?).  Fate scores big for the old guys, as the young people share their lives and open up all kinds of opportunities for fun and giving, especially working with children.  Why the whole set up even earns the approval of the sensitive, spiritual elderly housekeeper (played by who better than Maria Ouspenskaya?)   Of course, the young people brought together by their godfathers fall in love and plan to marry.
A merry Christmas movie, right?  Full of jingle bells, holly wreaths, caroling children, and glittering lights and ornaments.  Um, not exactly.  Characters, plot twists, mise en scène, and lighting combine to create a noir ambience.  Early on, the film does present a cherubic Charles Winniger, as Michael, bursting into a business meeting of his partners at home on Christmas Eve. Laden with presents and releasing overworked secretaries for the holiday, Michael is a kind of redeemed Ebenezer Scrooge.  Yet all this fun and cheer is threaded with dark elements.  There are intimations of something sinister in the past of the crotchety partner George Melton.  The other partner, Chad Chadwick, casts longing glances at photos of a wife and a son long lost to death.  Dear friends scheduled to visit for Christmas Eve have canceled out, leading the men to reflect that those they love are mostly dead and gone.
Even the advent of the fresh, kind, and honest Jean and James is overshadowed, literally, by a noir mood.  Sutherland does use bright filler lighting for the Christmas Eve dinner, but that moment is brief.   When old and new friends and servants Madame Tanya and Josef come to the window to listen to a Christmas band, though inside the window frame  is fairly bright, the area surrounding that square of light, the outside world, is darkly shadowed, even the strolling musicians.  The band is brought inside to play for a comradely sing along, yet shadows encroach on the firelight holding the people.   When James sings a love song, though he and Jean exchange tender looks, the shadows insistently fringe their medium close ups, with soft focus further creating an eerie  effect.  Even the love song, “I Dream of Jeanie” emphasizes longing rather than communion, conveying the effervescence of happiness in a noir world.
Throughout the film, noirish night undermines stability, comfort, and humor.  Jean and Jim’s romantic walk home and funny encounter with a mounted policeman and his sergeant occur in small pools of soft-focus light with darkness shrouding most of the frame.  Jim’s later proposal to Jean, though the two laugh playfully, is not in a sunny Central Park but in a dark, shadowy, late night walk there, only faintly illuminated by narrow key lighting on their mostly shadowed faces and the faint glow of a street lamp.  Such imagery  would not be  out of place in the hauntingly sinister streets of Val Lewton’s eerie New York in The Seventh Victim or The Cat Woman
Later, when the femme fatale lures away Jim as he becomes a successful radio star, they meet in a bright apartment.  Yet through the slits of partially open blinds between them pour in the black  night , with intermittent points of light from skscraper windows piercing in on them like intrusive, glaring eyes. It is the noir world that forms the apex of this triangle, predominating and binding the humans together  beneath in tragedy and corruption.
Elsewhere, Sutherland uses darkness and mise en scène to signal that alienation and tragedy inevitably supplant good fortune.  The reporter getting the story he will spread of Jim’s and Jean’s inheritance from Michael is framed in front of  the two (all three in medium closeup) a black silhouette before and between them, almost blotting them out with his black fedora and his black trench coat.  He looms between them and between them and their future  like Death incarnate.  Even the godfathers and their magical influence are at crucial moments overwhelmed by noir ‘s fateful darkness. 
The afterlife is given the noir treatment as well.  Isolated and alone, like many a noir anti-hero, Melton is drawn into and swallowed  by a photo- negative of inky, roiling clouds after his death, predicated by his dark past. Michael’s call to the beyond, though promising peace and happiness, is portrayed disconcertingly:  bright, thin rays against a black sky striking earth from a mass of black clouds.  The friendliness of the angelic voice calling him is unsettlingly undermined by this nightmare image of the divine- all in the surrounding darkness of Lewtonesque city night.
The plot twists imbue Beyond Tomorrow with the same noir vision as the lighting and setting, sometimes even in conjunction.  Just when the godfathers and the young folk seem happy, hopeful, and excited to live, where many a Christmas movie ends, the business partners are killed in a plane crash.  The signal of their deaths merges this ironic turn with dark imagery to create noir ambience. The lovers’ joy as Jean accepts Jim’s humorously inadvertent marriage proposal is undercut for the audience by unseen newsies’ growing cacophony of “Extra” surging insistently out of the shadowed night surrounding the unwitting lovers, hinting that a dreadful turn is emerging from the darkness. It more clearly emerges as the scen closes with a closeup of a headline proclaiming the three godfathers’ deaths.
Other expectations of “comfort and joy” are obliterated with noir’s relentlessly disconcerting unexpectedness.  The three godfathers return as ghosts and settle in their old study to preside over those they love, comforted by Mme. Tanya’s sense of their presence.  However, just when we and they start to get comfortable with this cozy turn, they are one by one called to leave by a darkening of the screen and a mysterious higher power, two to pain and sacrifice. 
In another noir reversal, Michael’s final godfatherly act in life to leave the young friends some dough to make their lives easier and their dreams come true turns out to be exactly the curse Melton warns him it would be – foreshadowed by the reporter’s ominous depiction darkly splitting the lovers.  The news story on the couple’s luck leads to Jim becoming a radio star who deserts Jean under the spell of Arlene Terry, whose fatale ways with her former husband drive him to shoot Arlene, Jim, and himself.  Just when we become comfortable in our security, happiness, love, and fellowship are all battered by the darkness of the world outside us, and also by the darkness within even the best of us that will reach for that darkness without.
There are happy endings in the film, but not without pain, disillusionment, falls from grace, and even death.  Madame Tanya is proved right in her observation that the power and prestige of being royalty in old Russia is nothing compared with the joy of loving and serving others. Loving sacrifices are rewarded; friendship even redeems Melton’s soul from roiling clouds of bitterness and despair.  And yet, Melton’s sadly cynical recognition of human weakness in the face of the darkness outside and within imbues this Christmas film with a noir outlook:  “To be born innocent is natural.  To die pure is a gift.”  No one dies pure in Sutherland’s film.

 

Keystone Arch Bridges Trail

The Saturday after the elections, to get away from all the stress, Yang and I took a four-mile hike on the Keystone Arch Bridges Trail. It was something! The trail leads through woods in Chester to one of the oldest set of stone railroad bridges in the country. And some of these bridges are still in use! Here is the first of these arched granite bridges that we saw, one that is still used. We just missed the train going over it.
To get to the other arch bridges, you have to do some hiking through the forests. The paths run along the river and then up and down some semi-tough slopes. However, the work is certainly worth it. There were some cool views of woods, streams, and rock formations.

 

Before we got to the other bridges, we came across some interesting abandoned or ruined structures. We could see this tower piercing through the denuded trees not too far off to the right of the trail as we started. I’m not sure what it is, so if anyone has an idea, let me know. We would have investigated on the way back – there was a drive off the trail – but we were really bushed.
I don’t know what this rock wall was originally. A foundation? A pen? A border demarcation? Can’t tell you. Cool, though, isn’t it?

 

 

We were able to check out two of the abandoned bridges. These were built around 1840, using blue-stone granite. This part of the line was eventually abandoned along with the bridges because in following the river, the rails had to take too sharp a curve for the speed of the trains. Disaster prevailed. To get to this bridge, we walked along where the old rail bed was, between high walls of rock that had been blasted and dug out in the early/mid-1800s. At the bridge, the tunnel of rock opened into a beautiful view of the surrounding mountains. There was still some color in the trees, so I could just imagine how gorgeous the vista would have been even a week earlier.
In this shot, you can see the handsome Yang sitting near the edge-I made sure his insurance was paid up before the hike. Click on the picture and look below him to the right to see the river. Above that, note the rest of the mountains to get an idea of how high up we are. To the left, you can see the path that came out of the rail bed we walked up between walls of rock.
This picture can give you an even better idea of how high up the bridge is. It’s taken on the same side of the bridge as the shot of Yang above, but from the other end of the bridge. Click on the picture and notice the tiny patches of blue at the bottom, on the river bank. Those tiny things are two people! Pretty far down, huh? The acoustics are darned good, though. We could hear those two girls laughing and joking as if they were right there on the bridge with us.
Here’s a shot of the other abandoned bridge, also on the same line. Though I didn’t get a picture of the surrounding hills, the view of them from here was also impressive, even with fall’s glory of color having passed. This trail is certainly worth a return trip at almost any time of year-well, maybe not through winter snows!
Click here for more information on the Keystone Arch Bridges Trail.

 

 

Hope Cemetery

The beautiful colors of fall have fallen now.  November is a month of greys, maroons, and browns, of  naked grey branches stark against the sky.  So, I thought you might enjoy a last look at the earlier glories of October, resplendent in my photos from the Hope Cemetery of Worcester, Mass.  Let’s start with this lovely line of sugar maples turning into flame.

 

Yang loves to see contrasting colors, and this phenomena is often on display early in the foliage season, when some trees, still bright green, form a gorgeous contrast with the flame of their more precocious brethren.

 

 

 

 

In the cemetery, the lovely autumn colors often form a striking contrast with the white or grey of wonderfully sculpted monuments in relief or freestanding statuary.

 

 

 

 

 

 

Then, there is this mausoleum haloed by the green being subsumed by peach and lemony yellow leaves.

The statuary itself is a pleasure to view.  I was particularly taken by this one of a mother comforting her child.  Does it bespeak the death of an actual mother who would have guided her daughter heavenward or does it tell a story of the mother guiding her daughter from beyond the vale?  Perhaps both mother and daughter are now attaining spiritual heights together in the next world?
It does seem that the opening gates on this tomb stone bespeak the gates of the death opening onto eternal life.

Other symbolic monuments include the  tree stump representing a life cut short.

 

There is the book of life.

 

The book of life for a Mason.
The sad, kneeling, lost child, its form melted away by time and the elements, the stone from which it was carved as transient as human life.
Yet this relief’s portrait reinforces the bond of parent and child through life and death and afterlife.

 

 

 

Perhaps most intriguing as a symbol of life springing from death was this natural image.  We found an old, battered, on its last roots deciduous tree hosting, providing shelter and sustenance, for a baby pine tree.  How unlikely that these two should come together and grow together.  Who knows how long either will last, but they do create an unexpected surge of life.

 

 

Halloween Treat

 

This Halloween, Yang and I treated ourselves to a hike in the cold autumn air at  Colbrook Reservoir Park.  Once a small town was on this land, but the river was damned to create a reservoir here that flooded it out.  Relax, they moved the people out first.  Appropriately for the day, when the water is low in times of drought, there’s a ghost to be seen.  More on that later.  However, as you can see in this picture, though the colors might not have been flamingly spectacular, they were still pretty.

 

In one direction, you can head toward the dam, which you can see here. 
We went the opposite way, down the old highway that is often covered when the reservoir is not in drought mode.  The two-lane highway makes for a  pretty smooth walk and is in surprisingly good condition for something that’s been submerged off and on over forty or so years.  You can see from this photo that the water level is waaaay down.  The boat launch is yards from the water and the water looks to be extremely shallow.
There are lots of interesting rock formations and trees on either side of the road.  There’s also supposed to be lots of wildlife around.  We were fortunate enough to see an American Kestrel, a bird I haven’t seen too much of lately.  The blue feathers on its back are gorgeous, especially when they contrast with the rusty red of its sides.  I was surprised not to see much in the way of waterfowl- only a mallard powering along the water.  You’d think there’d be plenty taking a rest stop on their migration route-whichever way they were going.  Perhaps the water was too shallow to provide much of a traveler’s buffet.  We didn’t see any beavers, but we did see the evidence of them.

There was also some nice views of the autumn colors in the hills surrounding the valley through which we walked .

If you click on this picture and look carefully, you can see the remains of old stone walls that marked the property boundaries of the people who had lived here

 

 

 

 

I love this tree!

 

We came to an old bridge over a run-off into the river and could see further upstream the remnants of another bridge that had once led into the town.  Looking down into the river and valley from the old highway, I couldn’t help thinking of what a beautiful setting this place was in which to live, with the hills and forest flanking you on one side, the small but swift river separating you from the highway, and the hills of rock and trees rising on the other.  And then there was that clear blue sky!  Greenly gorgeous in summer, brilliantly flaming in fall, and Christmas-card white in winter.  It must have been hard to leave such a beautiful place behind. Of course, that’s just my imagination running fanciful and feeling.
Now, I promised to tell you about the “ghost” of the reservoir.  Well, it’s neither human nor animal, but metal.  “Huh?” you say?  The phantom is known as the Ghost Bridge.  When the reservoir is not in drought, the bridge is submerged.  However, in seasons where there’s a dearth of water, like this year, the water recedes enough for you to see a metal bridge that crosses from one bank to the other of the old river bed into the little settlement that had been there.  This year, we were in luck!  Behold some neat shots that I got.  You can tell by looking at the length of the bridge that the river must have been much narrower, originally-unless cars back then had aqualungs as standard equipment.  Some other people we talked to that day (from over six feet away and masked) told us that someone had placed pumpkins on the boulders on our side of the bridge entrance.  If you click on the first picture and look carefully, you can see an orange object.   If you click on the second picture, you can see those boundary-marking stone walls.   Boo!
As beautiful an embodiment of fall as this day was, it also presaged winter.  Not only was the weather brisk, but what I consider one of the first signs of winter appeared there:  hundreds of slate-colored juncos!  I love their slate blue coloring, with the white flash in their tails when they fly off and make a sound like little castanets!

 

Here are a few more shots of the foliage and  rocky landscape.

 

 

 

 

 

The End

An Autumn Walk in St. John’s Cemetery

Between Halloween and fall foliage, October seems the perfect month to post blogs on my cemetery visits.  St. John’s Cemetery is one of my favorites, a beautiful rural setting that was just starting to put on display its lovely autumn colors.  Unlike the rolling hills of some Romantic-style cemeteries, the layout is fairly flat, but it has a plethora of  old trees providing shade in summer and wonderful colors in the fall.  A river runs alongside with all kinds of  brush that serves as home to many different birds.
There is plenty of beautiful statuary in this cemetery, as well.  Some of it shows magnificently against the backdrop of autumn’s leafy splendor.  Here we’ve got Jesus.
And here we have a sad woman shouldering the sacred cross, perhaps striving to lift the burden from Christ’s shoulders with repenting her sins.
There are so many beautiful statues here celebrating Catholic figures of holiness-many of which you won’t find in non-Catholic cemeteries.  We found many different versions of the Virgin Mary.  These are some  especially interesting ones.  This monument evokes the Infant of Prague motif.

 

 

These other two images of Mary are intriguing as well.  The first figure reminds me of Our Lady or Lourdes or of Fatima.  The second shows her crowned Queen of Earth and the Heavens, with the Christ child.

 

 

 

 

 

 

The images of angels were fascinating, too.  I love this relief that seems to show Saint Michael, sword in hand, ready for Someone Special.

 

 

 

 

 

However this exquisite carving of an angel struck me the deepest.  I’m including more than one shot, I’m so impressed with it.  Look at the deep contemplation in the features.  What is this angel thinking?  Brooding on the fall of some many angels and humans once bright with promise?  Or is there a trace of a smile in the subtle shaping of his cheeks and lips?  Take time to delight in how the material of his gown seems to drape gracefully as a part of his body.  What does he hold tucked behind?  A sword or a staff?  The features are so gracefully, believably carved that not a single Dr. Who fan would blink in his presence.

 

I’m just not sure who this saint is.  He’s in monk’s robes, so it can’t be Joseph-and no baby Jesus. There are no animals around, so it wouldn’t be Saint Francis.  No baby Jesus on his shoulder-not St. Christopher.  Maybe St. Anthony or St. Peter?  He is holding a cross, the way Peter was martyred, but what about the skull?

 

 

There are other wonderful statues that are not of Saints, much in line with what you’d expect in any cemetery.  Behold this piece that looks like a cathedral.

 

 

 

 

Then there are some lovely statues of women, like this one of a mother reading from a book to her daughter. The book is probably a Bible, but I like to think of it as something by C. Brontë.  Charlotte was actually pretty spiritual.
You can also find some impressive examples of Celtic Crosses in this cemetery, some with intricate relief designs carved on them.  Below are two examples I found captivating.

 

 

 

 

 

 

The river that parallels one side of this cemetery hosts many wonderful critters.  We’ve seen ducks and a Great Blue Heron here.  Once we even saw a muskrat swim gaily upstream.  The brush and trees along the banks host flocks of Robins, Chickadees, Vireos, Phoebes, Catbirds,  and King Birds.  In the summer, we’ve seen Orioles and woodpeckers flying and perching on the imposing tress on the grounds.
Speaking of birds, one time we showed up in the cemetery too late to be allowed to continue our walk.  As we were driving slowly toward the main road to leave, Yang asked me, “What’s that on the tomb stone ahead?”  It was a great big red-tailed hawk!  The pictures aren’t perfect because it was night and we took them through the windshield of our car, but they are pretty darned neat.  I especially like the one where Mr. or Ms. Hawk does an almost 180 with the head and stares right at us.  Yikes!
Lastly, this gravestone raised  an important question for me.   If Curley’s here, where did they plant Moe and Larry?  Or Shemp?

 

Early Autumn Beauty

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Yang and I started our foliage forays early this year.  By the end of September, you could find some lovely colors if you looked in the right places.  My first description is on the Blackstone River trail near Holy Cross in Worcester.  We went just before dusk to avoid running into too many people.  We saw some really nice colors on the boardwalk that runs along the river and through some marshland.
Here  the plants in the marsh are turning lovely shades of tangerine, gold , and crimson, highlighted by the still green plants around them.  All kinds of vireos, sparrows, and other small birds flitted from swaying stalk to trembling branch.  The misty grey of twilight lent a mystical atmosphere

 

Walking into the woods of the trail, you see saffron, ruby, and orange flame emerge through the dark green trees not yet turned.

 

 

 

 

Here, you see chartreuse and tardy green leaves, segueing into flames of orange and crimson.  Beautiful!

 

 

 

 

As the season progressed, we had a chance to go further afield, journeying to a trail outside of Peterborough, New  Hampshire.  Our walk through the soft light of green woods brought us to a lookout on a large rock extruding into the river.  Looking back, we could see the trees at the water’s edge were gradually putting on their  yellow and  orange finery.
Looking in the opposite direction on the the river, you could see the lovely colors mutedly reflected in the water. At one moment we heard a splash across the water, an otter-sized splash, but alack, we never caught sight of the slick furry critter.
I did manage to get a shot of this handsome guy enjoying the beauty of the spot!
Then it was back into the woods with soft dreamy light slipping through the trees.

 

 

 

 

 

 

I thought this cleft rock was pretty neat!  Glaciers leave behind the darnest things!

 

And how about this cutie?  What kind of a frog do you think this is?  I’m not sure whether Yang or I took this shot.   Yang couldn’t detect him a first, for his  (the frog’s)  colors blent into the undergrowth so perfectly.  I guess that’s the idea!

 

 

The walk out was about 2  & 1/2 miles, so when we returned to the rock outcropping on the river, we must have covered about four miles.  Needless to say, we took a rest.  I love this shot of the river.  Doesn’t it almost look like a painting?  It’s a nice image with which to leave you!

 

Nick Knight Forever?

 

As part of my Halloween viewing program, I broke out Nick Knight (1989), the made-for-TV movie predecessor of the series Forever Knight.  Interestingly, the only actor to make it from this film to the series was John Kapelos as Schanke.  Even the setting was replaced, LA with Toronto.  So, how do they compare?
The more I think about it, the set up for each best suits its own format.  The neo-noir vibe of the movie, its  lighting, use of current music, locations, casting, and characterization are appropriate for a one-off movie.   Then there’s the clever humor of having a vampire arrive at his home to  “I’m Only Human.”  Even better, this home is a former movie palace with It’s a Wonderful Life on the marquee, signaling Nick’s haunting by the dream of many past lives, likely not all so wonderful.
On the other hand, Toronto works beautifully for the series, Forever Knight (1992-96), setting the stories in a unique locale that’s a blend of the old world lurking in the new, characteristic of that city.  The tone of the series is perfectly attuned to the eerie wryness of the era of The X-Files and the revived Outer Limits, with playful riffs on the cinematic vampire tradition. As a series, Forever Knight draws you into a community of the Gothic dark world and noir mean streets, but still a place where relationships shift and grow rather locating you in a stylized, neon-lit LA.  Not to say that the aerial shots of LA’s blue glow, to capture a vampire’s-eye view of the city, aren’t pretty darn nifty.
I find the characterizations and casting more compelling in the series, but of course a series gives more time for development.  Rick Springfield is good as a slick, cynically ironic, tough-as-nails but really decent detective/vampire, perfect for 1980s neo-noir.  Still Geraint Wyn Davies’ Byronic Nick has an emotional depth, an ability to reflect and regret and care, seasoned with a mischievous wit, that deepens his character.  Changes in the rest of the cast also prove more interesting in Forever Knight.  The supportive male coroner from Nick Knight is now played by the feisty Catherine Disher, and the romantic tension that bubbles up from time to time in Nick and Natalie’s friendship makes for an interesting evolution of the relationship that only the longer duration of a series better facilitates.  The movie’s Jeanette is a poseur at Continental finesse, whereas the series version of the character is an actual woman of the Old World (like Medieval France!), who is clever, witty, and definitely menacing.  Schanke is still kind of a jerk, but in the movie he’s just a jerk. In the series he’s smarter and less self-impressed. He actually becomes Nick’s friend. LaCroix is maybe the most interesting change, after Nick.  Nigel Bennett’s LaCroix in the series carries a wit and menace that leaves Michael Damon’s rather wooden interpretation in the dust.  Where Damon’s LaCroix is Nick’s age-contemporary, Bennett’s greater age and expertise lend an Oedipal twist to the relationship between master/mentor vampire and apprentice growing into independence. 
So, glad as I am that James D. Parriot did get his vampire tale made in 1989, I’m even gladder that he recast and relocated the project to give us a series with more depth and a greater Gothic feel.
For more info on the series and movie, check out: 
Forever Knight Forever
Lady Vamp’s Forever Knight Site
Nick Knight
Photo Credits:
DVD cover for Nick Knight:  (c)  1989 New World Television; 2003 Anchor Bay Entertainment
Forever Knight Skyline Promo:  Forever Knight Forever:  foeverknight.org
Images of Nick and Natalie; Natalie and Nick:  Lady Vamp’s Forever Knight Site, http://www.foreverknight.org/LadyVampKnight1228/home.html
If any violation of copyright has been inadvertently committed by my re-posting these images, let me know and I will remove them.

 

NH Adventures: Claude Rains, Mt. Roberts, and the First October Full Moon

This month has blue moons, two in one month.  The first day of October this year was the first full moon of the month.  So, we celebrated  with a trip to New Hampshire that was a triple header for us.  First, we visited the grave of my favorite actor, Claude Rains, in the Red Hill Cemetery.  It’s a small, peaceful place, with lots of firefighters R.I.P.ing there.  The graves of Mr. Rains and his wife Rosemary are beautiful polished black stone Gothic arches.  To pay tribute, we brought one of the pumpkins that we had grown ourselves this year.  I liked presenting a little gift that Yang and I had worked hard to cultivate together.  The foliage by the cemetery hadn’t quite turned yet, but there were still some pretty trees.  When we go a bit later in the season, you often see some magnificent colors.  Check this link to a blog with pictures of the foliage in a past visit.
It was still a lovely place for Mr. Rains and his wife Rosemary to take their final rest.  I did want to place the pumpkin between the graves to honor them both, but I was a little worried it might roll off or get pushed away if it weren’t resting against the stone.  So, Mr. Rains got the pumpkin.  Maybe next time, I’ll bring two, especially if we have a bigger pumpkin crop.  Click here for news on what we did harvest.
We also did a drive- by of the classic colonial with it’s three pillars where Claude Rains last resided.  I wonder what the inside is like?  It was nice to see a Jean Shaheen sign out front.  You can’t see it in this photo, though you can see a beautiful sugar maple behind and to the left of the house.

Next on the agenda was to hike the Mt. Roberts trail in Moultonborough.  It’s on the grounds of the Castle in the Clouds, but it’s free to visit and hike.  Usually, we go up Red Hill, but I asked if we could start with something that ascended a bit less steeply, as this was my first major mountain climb of the year-major for me, anyway.  It really wasn’t all that easy, but the hike was definitely worth it!  We enjoyed the terrain, the changing colors, sighting a Brown Thrasher and a Wood Thrush (thank God for binoculars!).  When we got to an overlook, we sat and ate tea eggs that Yang had made, then chunks of the yummy pumpkin bread I’d baked the night before.   I was tired when we got back down, but I loved it!  There are lots of trails on these grounds, so I’m looking forward to going back.

 

We thought this little toad was cute, too!

Does anyone know what kind of tree this leaf comes from?  It’s actually a little darker in real life.  The camera was accidentally set to overcompensate, so I’ve tried to properly adjust the color to match what I actually saw.  So, if you know what the tree is, drop me a line in comments of on FB.  I’d really like to know!

 

Last and never least:  the first full moon of October!  Yang took me to Weir Beach-I hadn’t been there since I was a teenager!  It was pretty deserted, after the summer season was done, but there was a nice boardwalk from which to view the moonrise.  When the moon first came over the trees, it was ENORMOUS!  I thought Kronos was rising.  These picture don’t do it justice.  Click on them to get a bigger image.

 

 

 

 

 

 

 

It was a lovely evening to complete an exciting day.  Gosh, I love our autumn rambles through the Northeast!  I hope you’re having some fun ones as well.  And if you can’t get out, please enjoy these.