In June, I was finally able to get back in the saddle concerning appearances. After one fun reading in May at TidePool books in Worcester, I first did a joint author event with my friend and colleague, Leslie Wheeler, on Saturday, June 4th at the Booklovers’ Gourmet. We had a responsive audience and a lot of fun. Leslie suggested that we, ourselves, be more interactive. So, instead of just reading and talking separately, after each short reading, we asked each other questions about our methods of writing, our particular joys and pains in writing, future writing plans, etc. Our questions and responses, in turn, drew questions and observations from the audience. Totally interactive! I think we even made some new friends and readers, as well. I’m especially excited because we talked about Leslie’s new book, Wolf Bog, which will be released July 6th, this year!
Next, I joined an even bigger group of writers from Sisters in Crime and Mystery Writers of America at a corner of the Natick Farmers’ Market called Beach Reads, organized by Tilia Jacobs. I shared my table with Janet Raye Stevens, who also writes mysteries set in the 1940s. It was a gorgeous day, where we enjoyed chatting with people -and each other- of course, also selling some books. Here’s a tip for writers: have a QR code on your bookmarks, postcards, or advertising poster so that if people don’t have cash, they can use their smartphones to connect to a site where they can buy the book (Amazon, Barnes & Noble, Bookshop.org, your web site) there or later. Anyway, it’s great to see people and enjoy a beautiful afternoon.
I already have some plans for August. On August 24th, from 7:00-7:30 p.m., I’ll be interviewed by Barry Eva on A Book and a Chat. I’ll provide more details when I have them. Next is Lala Books in Lowell, MA on August 26th from 7:00-8:00 p.m., so come and hear all about the latest 1940s mystery adventures for Jessica Minton, James Crawford, and Dusty – as well as talk about writing and publishing! I may be able to give you a sneak peek at book #4, Shadows of a Dark Past.
You’ll pardon me for paraphrasing the B-52s, but bird watching in my back yard since spring has sprung really has been like living in my own private Audubon. Yang pointed out that we often see more birds (in number and variety) through our sun porch windows than we do on many of our nature walks! It’s been a delight to see many old friends return.
First back were these Mockingbirds. Usually we see one in February or early March. S/He doesn’t stay long, but chows down for a day or two – maybe a week – and then is on the way to wherever Mockingbirds like to chill. This year, we got TWO. A honeymooning couple? I don’t know, but they were a pleasure to see.
Another of the spring early birds are the Red-Winged Blackbirds. In my yard, they are one of the earliest sign of spring rolling in. These guys actually showed up in the end of February – and I’ve never seen so many of them! Usually their numbers tend to thin out as we get into May, but this year we still have many of these visitors with the red and yellow epaulets. You can see this chap flashing his shoulder embellishments as he shares the feeder with a grumpy-looking Grackle – tons of Grackles off and on since February. Below is the blackbird taking a turn on the suet.
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In fact, everyone seems to be into suet this year! You saw the Mockingbirds above. And get a load of both the female and male Downy Woodpeckers. You can distinguish their genders by the red dot on the back of the male’s head.
These two aren’t the only woodpeckers who visit us. Through the winter and still into the spring, we’ve had a pair of Redbellied Woodpeckers chilling with us. In fact, this male is probably the one Yang and I saved from frostbite after he was stunned from hitting a window – the woodpecker, not Yang. Anyway, we call him Red and his mate Ruby. Original, aren’t we?
Of course we also had a spring newcomer woodpecker: my friend Flicker (Sorry, I couldn’t resist.). Just last week, I saw him hunting insects where my and my neighbor’s yard meet.
One of my favorite returnees is the Catbird. I love the way they say my name in one of their calls: “Sharon!” Last year we had two. This year, I’ve seen four! I don’t think they’re all pals, either. One day, I saw two of them in my Canadian Maple with their heads up, beaks pointing skyward, and their shoulders thrown back in a stand off. Bird number three was merrily chowing down on suet all the while. Who knows where number four went. Still, I do see two, three, four of them traveling together, making the rounds of the bird feeders in my yard.
We’ve also had some more colorful returnees as well. Although a Goldfinch or two would come by during the winter, we had a huge influx in April. They’ve thinned out a bit, but it’s been fun watching the boys gradually change back to their bright yellow duds. They’ve also broadened their tastes. Rather than only snacking on sunflower hearts, they are now going for the black oil seeds, no longer too lazy to crack them open with their powerful finch beaks. This fella is giving the feeder a quizzical study before he zeroes in on dinner.
Finally, May brought back two of my favorite friends. First, the Baltimore Orioles. This year we’ve seen two adult males and one juvenile. These guys love their oranges! Yang gets them the good ones from the Asian grocery store in town.
One day, Yang and I saw Dad taking his young son out for his first drink.
Dad says, “Watch me, son, it’s simple.”
The Kid dives in and proud Pop looks on.
Then they both turn to our window and stare: “What’re YOU lookin’ at?!”
One week later, who should come to town but the last of our colorful spring regulars: the Rose-Breasted Grosbeak. Usually we get a couple of couples. However, this year, I’ve only seen the male. Still, for all I know, it’s not the same male every time. There could be a bunch of them, each showing up one at a time. However many, these guys are always gorgeous to see! Here one of them is sharing the feeder with a House Finch. He doesn’t look too chummy, though, does he?
Of course, we’re not the only ones who like to watch the birds from the sun porch. But the girls are kept safely apart from feathered visitors.
Now, bring on the Indigo Bunting and the Scarlet Tanager!
Well, here I go trying to create a new blog with WordPress’s Godawful new editor. Forgive me if this comes out crappy. It’s taken me forever to figure out how to switch back and forth between html editor and visual-nothing is clearly labeled or explained. I know this format is much uglier than the one I had previously. We’re all at the mercy of tasteless, unimaginative, homogenizing forces.
Anyway, let’s move on to a more enjoyable descent into darkness. Here’s a last gasp at wintry images with Part 2 of my report on the Hillside Cemetery of North Adams. Across the street from the original portion of the graveyard, lonely mountains rise up to close you you in and the rest of the world out on this grey day.
This is the newer portion of Hillside, and much more on an actual hillside. With the rolling slopes here, the graves, mostly 19th century, tilt and are almost upended as the ground has settled and shifted over the years-or is someone or something trying to push out?
And those slopes are pretty darned high, too, with gravestones and monuments, bleakly, implacably towering upward from an earth both browned by autumn and frosted by snow.
This cemetery has it’s share of intriguing, impressive statuary, but the brutal western Massachusetts winds, rain, and snow have not been kind to them, gradually wearing them down to softened blurs in many cases. The dove embracing this shrouded cross has lost its distinctive features and now softly merges into the cross’s drapery. The child and the lamb, representing her innocence, have melted into the seat of broken rocks symbolizing her life cut too short, too soon. A relief that should have preserved a woman’s identity in endurable stone for eternity has blurred her features into gentle vagueness. Even her identity in the form of name, family, and birth and death dates have been smoothed away to soft whiteness. A book of life’s secrets has subsumed its truths into a creamy blank of pages melted together, marked only by the stain of mold and decay. Or might this be an edition of the Necronomicon?
Of course there are also still striking images of angels and symbolic broken columns, some standing relentless against nature’s assault by winds, weather, and devouring by lichen and mold.
Some are less successful than others in resisting the assaulting elements, but are no less beautiful.
There was only one large mausoleum in this portion of the cemetery-but it is impressive, especially for the art deco angel guarding the resting bodies of the family beneath. There’s a wonderful starkness in its rising near the crest of the rolling hill, the dark tree grasping hungry branches at the sky beyond it.
And here is a closeup of the angel. Regard the myriad layers of feathers creating a shield of wings behind its head, seeming both like a peacock’s tail in full extension and a wall of tongues of flames.
The day had been cold, but not bitterly so. The ground betrayed the tracks of deer, racoon, and perhaps more predatory mammals. It was an isolated spot where no human seemed to have ventured to grieve or pay veneration for a very long time. In fact, this day this cemetery seemed like a place lost to time, to human connections. Thank goodness I saw this cute guy and not some colour out of space.
As winter, we hope, is wrapping up and March approaches, I thought I’d post a couple of last minute winter visits to some of the local cemeteries to show you some of their lovely funerary work. Last December, when we were first treated to snow-and when snow still seemed like a treat-, I took some neat shots in St. John’s Catholic Cemetery in Worcester. I was particularly struck by not only the statuary but some reliefs and some Celtic crosses.
First, check out some of the neat reliefs. This one is graced with a stone head of Christ looking lovingly down at a stone chalice of His blood. The Celtic cross also has the austere yet graceful petals of flowers carved upon it. The vivid French blue of the winter sky bespeaks the crispness of the day.
There are many styles of Celtic Crosses rising out of the snow and winter-browned grass of this cemetery. Many also are adorned with striking, symbolic carvings. Others may hold statuary. This Celtic cross particularly caught my eyes, with it’s intricate interlocking designs along its body and its distinctive symbolic figures at the top. The snow beautifully reflects the cool purity of the sky’s winter blue.
A closer study of the figures in the upper central section of the cross reveals the creatures symbolizing the four gospel writers on each branch of the cross, with the knot of eternity and the Infinite in the center and praying angels at the very top, From the top and moving clockwise, you have the winged ox/calf (Luke), the man (Matthew), the griffin/lion (Mark), and the eagle (John)- their wings and halos signifying their divine nature.
You can additionally see Celtic crosses and other monuments honoring priests in the cemetery.
The statuary is also quite striking in the winter light. Here, a woman clings to a cross for salvation or for comfort at her losses. The stone is weathered smooth, the statue almost featureless. Perhaps a comment on the transitoriness of life.
A time-smoothed lamb, couched within the limited protection of this monument further testifies to the relentless passage of time over even the young whom parents see as embodying a kind of immortality. It’s posture is not even terribly peaceful, seeming to indicate tightening oneself up in fear or cold. Maybe both.
Then, there is this triumphant angel-who seems to be wearing a bustle in the height of 1880s fashion. Her broken wing unintentionally testifies to the limits of human commemorations.
Still, when I tried to capture her face with a shot from the front, the glow of the sun created this divine image that perhaps suggests that true immortality and enlightenment come from beyond this earth, transcending the capability of our mortal vision. Ya think?
We’ve been seeing some wonderful birds this winter in our yard at our feeders. Let me share some of them with you, starting from December. This first set of pictures were taken that month, before and after the snow started. I have pictures here of some old friends and some new-like this Downy Woodpecker. Do you think someone should tell her that bugs don’t live in concrete or vinyl siding-or does she know something that I don’t?
We also see plenty of our old standbys, the Chickadees and the Titmice. They like to come and dine about 9:30 in the morning and about 4-5:00 in the afternoon-with an occasional snack or two throughout the day. The Titmice are one of Yang’s favorites, and he likes to call them “little faces.” With their big, expressive eyes, you can understand why. In this picture we have one of the cute chickadees.
One of my favorite birds is one of the first signs of winter: the Slate-Colored Junco. That’s the name they went by when I was first birding; however, I’ve noticed them now called “Dark-Eyed Juncos.” Maybe they all invested in brown contacts. I love their blue-grey coloring (though some are more brownish) and their white tails that flash when the fly away, as they give a call that sounds like castanets. We have large numbers of them in my yard, which it just fine with me.
These two Juncos don’t look to happy to meet.
“Who You lookin’ at?”
“No, who YOU lookin’ at?!”
The Goldfinches haven’t flown away until the spring. They’ve just changed their sprightly spring plumage for heavy winter coats. One fellow appeared to have a white cap of feathers, even with his winter color. So, I dubbed him Whitecap. Original, aren’t I? However, closer viewing of him through these photos shows that his cap is more light yellow than white. Nevertheless, he’s staying “Whitecap,” as Slightly Light Yellow Cap” is way too much of a mouthful.
Here’s another nice shot of Whitecap, with a Goldfinch pal (in the upper left corner) who apparently thinks he’s a bat. I’ve got to stop watching Forever Knight when these guys are in the windows.
Here’s another one of Snowcap, after he was reading up on Edward Taylor and thought he ought to go out and starting preaching to Juncos. Of course, if Snowie believes in predestination, that suggests that even other species can be saved.
I particularly like this picture because it includes so many: Juncos, Goldfinches, and another of my favorites, the Carolina Wren, on the left. She doesn’t quite look like a wren because she doesn’t have her little bum cocked in the air, but her long beak and white eye-stripe give her away. We have at least one pair who come to my feeders. They’ve been around the house for several years, but it’s only the past three or four that I’ve seen them year round, and so frequently in the winter. I often hear them in the trees of the woods behind my house and across the street. I named this pair, Carolina and Carey. Additionally, note the Goldfinch coming in out of inter-dimensional travel in the upper middle of the photo.
We also had an unexpected visitor on our suet feeder. Regard this handsome Mockingbird. Usually I don’t see them in the winter. However, I was informed that they don’t travel south, but hide out in deep woods during the cold months. Apparently this guy didn’t get the memo about hiding out. He or she comes to see us just about every day to chow down on the suet. I know these birds tend to be highly aggressive, but this one really doesn’t seem to mind sharing.
Now, there’s one last interesting addition to our flocks: Mr. Cooper, as in Cooper’s Hawk. This guy showed up low on the Canadian Maple in our back yard, right outside my living room window. The first time I saw him was in mid-January, when I couldn’t get any good shots. Then, this week, he popped by and I was lucky, getting these three pix. Now I definitely know what caused the splash of blood and feathers on the snow near the tree last week. Still, he does leave alone the little birds-hardly worth consideration as hors d’ouevres? Anyway, click on the photos to get a good look at him-or her.
Anyway, now I think I understand why White Ears (named for these white tufts in his ears) has been keeping a low profile recently.
Just before the New Year, after a late December snow, Yang and I seized the occasion of some slightly warmer weather to take a walk in the Hillside Cemetery of North Adams, Mass. This cemetery is notable for more than one reason. First, it is split in half by Route 2. Second, its sloping grounds (more on one side than the other) create an eerie, desolate, even Lovecraftian, ambience. Those grounds are dotted with beautiful, if weather-worn, monuments. There is so much to remark, that I intend to split my blog into two parts: one for each side of Route 2.
This first blog focuses on the older section, which, though clearly on a hillside, presents far fewer and less abrupt rolling hills. It’s also the smaller of the two. Nevertheless, this shot reveals your legs will get a more than adequate workout hiking up these slopes. No matter which side of the highway you’re on, you see that you are encompassed by the Berkshires.
This white, colonaded mausoleum is particularly interesting. You can see that it belongs to a family who must have been rather important in the town, perhaps even into the twentieth century. If you come closer, you can perceive the ironwork gate to the building has been sculpted into the graceful form of a woman. She faces away from this world into the next, for which the the mausoleum proves a portal, Her form clings to the door and is curved with sorrow. The forsythia wreath wrapped over her right hand suggests that members of that family are still in the town, or at least are close enough to visit the grave. I was also struck by the beautiful Tiffany window that was part of the mausoleum.
Interestingly, the natural and the artistic worlds came to mirror each other in this portion of the Hillside Cemetery. I was much taken with this hewn from stone monument of the traditional broken tree, symbolizing growing life cut off. Age and weathering had buffed and grey-whitened this monument into a kind of soft purity. The burnt green and tawny grass, though muted colors, still provided a notable contrast to the stone. And then nature offered it’s own version of this monument in the blasted yet weather smoothed form of this ancient dead tree, its edges also rising jaggedly toward the sky. Yet perhaps the actual tree was not quite such a symbol of life cut off, for it would be the perfect place for owls, woodpeckers, and squirrels to make home-though not all together! While all around the mountains hold us in.
There were plenty of other intriguing monuments and carvings. I loved this contemplative, if not quite grieving, woman set on high. Bitter western Massachusetts winters had softened her sorrowing expression, but her posture, the thoughtful cock of her head, told the tale of her loss and reflections on it.
The relief on this tombstone of an anchor perhaps reveals that an adventurer on the seas had retired to the inner realms of New England to find his final rest. Check out the picture of the tomb itself and then the closeup of the relief.
This red rock column fascinated me, as well: so graceful and predominant on the slope. And those slopes were rolling to say the least! I’m glad we didn’t roll back down them. A close up also reveals a significant relief on the column: the inverted torch symbolizing death.
Here are more pictures to give you a sense of the sometimes steep, sometimes rolling grounds, all encompassed by the greys and faded browns of wintry Berkshires before snow would come to predominate. It’s an old place, a deserted place (even with Route 2 running by). An apt setting for a Lovecraft novel or short story-but not quite as apt as the part of the graveyard across the road. That photo blog is for another day!
Every year, Yang and I make a pilgrimage to the Cape to check out the migrating ducks. Usually we make the trip in mid-January or early February, not far from my birthday. This year, we went on January 15th, and we weren’t disappointed. We saw ruddy ducks, hooded and rust-breasted mergansers, a red-throated loon, swans, etc. However, at first I was a little let down because I didn’t see the annual flock of eiders bobbing on ocean waves. That disappointment disappeared as we moved further along the beach trail.
Yang and I saw some dark specks floating on rough seas not far from a jetty. The sun was in our eyes at first, so even with binoculars, we weren’t sure what we were seeing. Then, we got out to a place with better lighting, and there they were: my pals the eider ducks! I’m not sure if we are going to that jetty to see them every year or if they’re returning to get a peek at us! Anyway, it was a delight to watch them carried up and down by the waves, even swimming into a little cove of the jetty. As you can see, we were able to get pretty close.
A couple of duck were giving us the once over in these shots! Right in the center of the picture.
Especially interesting, I had never noticed that the males have a white stripe down the back of the black feathers on their heads. I’d also never noticed thegreenish/yellowish/grey patch at the bottom of that black cap, either. Click on the photos here to get a closer look. Every year it’s something new. Do you think they noticed something different about Yang and I this year?
Significance of the subtitle: Remember the old joke? “How do you get down from and elephant? You don’t. You get down from a duck.” Eider down, right?
The Saturday after the elections, to get away from all the stress, Yang and I took a four-mile hike on the Keystone Arch Bridges Trail. It was something! The trail leads through woods in Chester to one of the oldest set of stone railroad bridges in the country. And some of these bridges are still in use! Here is the first of these arched granite bridges that we saw, one that is still used. We just missed the train going over it.
To get to the other arch bridges, you have to do some hiking through the forests. The paths run along the river and then up and down some semi-tough slopes. However, the work is certainly worth it. There were some cool views of woods, streams, and rock formations.
Before we got to the other bridges, we came across some interesting abandoned or ruined structures. We could see this tower piercing through the denuded trees not too far off to the right of the trail as we started. I’m not sure what it is, so if anyone has an idea, let me know. We would have investigated on the way back – there was a drive off the trail – but we were really bushed.
I don’t know what this rock wall was originally. A foundation? A pen? A border demarcation? Can’t tell you. Cool, though, isn’t it?
We were able to check out two of the abandoned bridges. These were built around 1840, using blue-stone granite. This part of the line was eventually abandoned along with the bridges because in following the river, the rails had to take too sharp a curve for the speed of the trains. Disaster prevailed. To get to this bridge, we walked along where the old rail bed was, between high walls of rock that had been blasted and dug out in the early/mid-1800s. At the bridge, the tunnel of rock opened into a beautiful view of the surrounding mountains. There was still some color in the trees, so I could just imagine how gorgeous the vista would have been even a week earlier.
In this shot, you can see the handsome Yang sitting near the edge-I made sure his insurance was paid up before the hike. Click on the picture and look below him to the right to see the river. Above that, note the rest of the mountains to get an idea of how high up we are. To the left, you can see the path that came out of the rail bed we walked up between walls of rock.
This picture can give you an even better idea of how high up the bridge is. It’s taken on the same side of the bridge as the shot of Yang above, but from the other end of the bridge. Click on the picture and notice the tiny patches of blue at the bottom, on the river bank. Those tiny things are two people! Pretty far down, huh? The acoustics are darned good, though. We could hear those two girls laughing and joking as if they were right there on the bridge with us.
Here’s a shot of the other abandoned bridge, also on the same line. Though I didn’t get a picture of the surrounding hills, the view of them from here was also impressive, even with fall’s glory of color having passed. This trail is certainly worth a return trip at almost any time of year-well, maybe not through winter snows!
Click here for more information on the Keystone Arch Bridges Trail.
The beautiful colors of fall have fallen now. November is a month of greys, maroons, and browns, of naked grey branches stark against the sky. So, I thought you might enjoy a last look at the earlier glories of October, resplendent in my photos from the Hope Cemetery of Worcester, Mass. Let’s start with this lovely line of sugar maples turning into flame.
Yang loves to see contrasting colors, and this phenomena is often on display early in the foliage season, when some trees, still bright green, form a gorgeous contrast with the flame of their more precocious brethren.
In the cemetery, the lovely autumn colors often form a striking contrast with the white or grey of wonderfully sculpted monuments in relief or freestanding statuary.
Then, there is this mausoleum haloed by the green being subsumed by peach and lemony yellow leaves.
The statuary itself is a pleasure to view. I was particularly taken by this one of a mother comforting her child. Does it bespeak the death of an actual mother who would have guided her daughter heavenward or does it tell a story of the mother guiding her daughter from beyond the vale? Perhaps both mother and daughter are now attaining spiritual heights together in the next world?
It does seem that the opening gates on this tomb stone bespeak the gates of the death opening onto eternal life.
Other symbolic monuments include the tree stump representing a life cut short.
There is the book of life.
The book of life for a Mason.
The sad, kneeling, lost child, its form melted away by time and the elements, the stone from which it was carved as transient as human life.
Yet this relief’s portrait reinforces the bond of parent and child through life and death and afterlife.
Perhaps most intriguing as a symbol of life springing from death was this natural image. We found an old, battered, on its last roots deciduous tree hosting, providing shelter and sustenance, for a baby pine tree. How unlikely that these two should come together and grow together. Who knows how long either will last, but they do create an unexpected surge of life.
This Halloween, Yang and I treated ourselves to a hike in the cold autumn air at Colbrook Reservoir Park. Once a small town was on this land, but the river was damned to create a reservoir here that flooded it out. Relax, they moved the people out first. Appropriately for the day, when the water is low in times of drought, there’s a ghost to be seen. More on that later. However, as you can see in this picture, though the colors might not have been flamingly spectacular, they were still pretty.
In one direction, you can head toward the dam, which you can see here.
We went the opposite way, down the old highway that is often covered when the reservoir is not in drought mode. The two-lane highway makes for a pretty smooth walk and is in surprisingly good condition for something that’s been submerged off and on over forty or so years. You can see from this photo that the water level is waaaay down. The boat launch is yards from the water and the water looks to be extremely shallow.
There are lots of interesting rock formations and trees on either side of the road. There’s also supposed to be lots of wildlife around. We were fortunate enough to see an American Kestrel, a bird I haven’t seen too much of lately. The blue feathers on its back are gorgeous, especially when they contrast with the rusty red of its sides. I was surprised not to see much in the way of waterfowl- only a mallard powering along the water. You’d think there’d be plenty taking a rest stop on their migration route-whichever way they were going. Perhaps the water was too shallow to provide much of a traveler’s buffet. We didn’t see any beavers, but we did see the evidence of them.
There was also some nice views of the autumn colors in the hills surrounding the valley through which we walked .
If you click on this picture and look carefully, you can see the remains of old stone walls that marked the property boundaries of the people who had lived here
I love this tree!
We came to an old bridge over a run-off into the river and could see further upstream the remnants of another bridge that had once led into the town. Looking down into the river and valley from the old highway, I couldn’t help thinking of what a beautiful setting this place was in which to live, with the hills and forest flanking you on one side, the small but swift river separating you from the highway, and the hills of rock and trees rising on the other. And then there was that clear blue sky! Greenly gorgeous in summer, brilliantly flaming in fall, and Christmas-card white in winter. It must have been hard to leave such a beautiful place behind. Of course, that’s just my imagination running fanciful and feeling.
Now, I promised to tell you about the “ghost” of the reservoir. Well, it’s neither human nor animal, but metal. “Huh?” you say? The phantom is known as the Ghost Bridge. When the reservoir is not in drought, the bridge is submerged. However, in seasons where there’s a dearth of water, like this year, the water recedes enough for you to see a metal bridge that crosses from one bank to the other of the old river bed into the little settlement that had been there. This year, we were in luck! Behold some neat shots that I got. You can tell by looking at the length of the bridge that the river must have been much narrower, originally-unless cars back then had aqualungs as standard equipment. Some other people we talked to that day (from over six feet away and masked) told us that someone had placed pumpkins on the boulders on our side of the bridge entrance. If you click on the first picture and look carefully, you can see an orange object. If you click on the second picture, you can see those boundary-marking stone walls. Boo!
As beautiful an embodiment of fall as this day was, it also presaged winter. Not only was the weather brisk, but what I consider one of the first signs of winter appeared there: hundreds of slate-colored juncos! I love their slate blue coloring, with the white flash in their tails when they fly off and make a sound like little castanets!
Here are a few more shots of the foliage and rocky landscape.
Anyway, let’s move on to a more enjoyable descent into darkness. Here’s a 
last gasp at wintry images with Part 2 of my report on the Hillside Cemetery of North Adams. Across the street from the original portion of the graveyard, lonely mountains rise up to close you you in and the rest of the world out on this grey day.
hillside. With the rolling slopes here, the graves, mostly 19th century, tilt and are almost upended as the ground has settled and shifted over the years-or is someone or something trying to push out?
And those slopes are pretty darned high, too, with gravestones and monuments, bleakly, implacably towering upward from an earth both browned by autumn and frosted by snow.
brutal western Massachusetts winds, rain,
and snow have not been kind to them, gradually wearing them down to softened blurs in many cases. The dove embracing this shrouded cross has lost its distinctive features and now softly merges into the cross’s drapery. The child and the lamb, representing her innocence, have melted into the seat of broken rocks symbolizing her life cut too short, too soon. A 
relief that should have preserved a woman’s identity in endurable stone for eternity has blurred her features into gentle vagueness. Even her identity in the form of name, family, and birth and death dates have been smoothed away to soft whiteness. A book of life’s secrets 
has subsumed its truths into a creamy blank of pages melted together, marked only by the stain of mold and decay. Or might this be an edition of the Necronomicon?
Of course there are also still striking images of angels and symbolic broken columns, some standing relentless against nature’s assault by winds, weather, and devouring by lichen and mold. 
it is impressive, especially for the art deco angel guarding the resting bodies of the family beneath. There’s a wonderful starkness in its rising near the crest of the rolling hill, the dark tree grasping hungry branches at the sky beyond it.
Sharon Healy-Yang 