Those of you who know me, know what a tremendous Supremes fan I am. So, you can imagine my sadness at the recent passing of Mary Wilson, one of the groups founding members. Mary was such an extraordinary woman. In addition to that delicious smoky alto of hers putting feeling and power into so much music, she contributed tremendously to making the world a better place. She and her fellow Supremes helped break down racial barriers in the 1960s and ’70s, she gave herself generously to help others through her work to protect the rights of recording artists, drew on her own experience as an abused spouse to encourage and support others in the same situation, helped at-risk young people here and abroad, acted as good will ambassador for the U.S., and supported the efforts of the Humpty-Dumpty Institute against the use of landmines.
Mary also helped so many people around her on a personal level to believe in themselves and follow their dreams to become the people they wanted to be. She loved her children and grandchild. And she was wonderful with her fans, never treating them as beneath her. She welcomed everyone with sincerity, graciousness, and humor. You knew she was just as happy to see you as you were to meet her. She had a sense of humor about herself and could tease in a way that was fun. And she loved life, especially these last years, still singing and performing to delighted audiences, competing on on Dancing with the Stars, publishing a delightful book on the Supremes’ magnificant gowns and the stories behind them, starting her own YouTube channel, and even announcing the cd re-release of her solo album with new and never before released material. We’ll miss her joy and warmth, but we’ll carry her in our hearts for all the love she gave us. I think these lines from “Nature Boy” sum up her bond with us perfectly: “The greatest thing you’ll ever learn is just to love and to be loved in return.”
Here’s Mary sharing her philosophy of life with us in a fairly recent release: “Life’s Been Good to Me.”
Dancing with the Stars Photo: https://dancingwiththestars.fandom.com/wiki/Mary_Wilson
Other Photos shared from web sites Mary Wilson of the Supremes: New Ways but Love Stays; Motown 1970: Not Just Another Record Company; Seventies Supremes,
If you feel your rights have been infringed by the posting of any of these photos, please contact me and I will remove them. Photos posted for personal or educational reasons. No profit is derived from this post.
As part of my Halloween viewing program, I broke out Nick Knight (1989), the made-for-TV movie predecessor of the series Forever Knight. Interestingly, the only actor to make it from this film to the series was John Kapelos as Schanke. Even the setting was replaced, LA with Toronto. So, how do they compare?
The more I think about it, the set up for each best suits its own format. The neo-noir vibe of the movie, its lighting, use of current music, locations, casting, and characterization are appropriate for a one-off movie. Then there’s the clever humor of having a vampire arrive at his home to “I’m Only Human.” Even better, this home is a former movie palace with It’s a Wonderful Life on the marquee, signaling Nick’s haunting by the dream of many past lives, likely not all so wonderful.
On the other hand, Toronto works beautifully for the series, Forever Knight (1992-96), setting the stories in a unique locale that’s a blend of the old world lurking in the new, characteristic of that city. The tone of the series is perfectly attuned to the eerie wryness of the era of The X-Files and the revived Outer Limits, with playful riffs on the cinematic vampire tradition. As a series, Forever Knight draws you into a community of the Gothic dark world and noir mean streets, but still a place where relationships shift and grow rather locating you in a stylized, neon-lit LA. Not to say that the aerial shots of LA’s blue glow, to capture a vampire’s-eye view of the city, aren’t pretty darn nifty.
I find the characterizations and casting more compelling in the series, but of course a series gives more time for development. Rick Springfield is good as a slick, cynically ironic, tough-as-nails but really decent detective/vampire, perfect for 1980s neo-noir. Still Geraint Wyn Davies’ Byronic Nick has an emotional depth, an ability to reflect and regret and care, seasoned with a mischievous wit, that deepens his character. Changes in the rest of the cast also prove more interesting in Forever Knight. The supportive male coroner from Nick Knight is now played by the feisty Catherine Disher, and the romantic tension that bubbles up from time to time in Nick and Natalie’s friendship makes for an interesting evolution of the relationship that only the longer duration of a series better facilitates. The movie’s Jeanette is a poseur at Continental finesse, whereas the series version of the character is an actual woman of the Old World (like Medieval France!), who is clever, witty, and definitely menacing. Schanke is still kind of a jerk, but in the movie he’s just a jerk. In the series he’s smarter and less self-impressed. He actually becomes Nick’s friend. LaCroix is maybe the most interesting change, after Nick. Nigel Bennett’s LaCroix in the series carries a wit and menace that leaves Michael Damon’s rather wooden interpretation in the dust. Where Damon’s LaCroix is Nick’s age-contemporary, Bennett’s greater age and expertise lend an Oedipal twist to the relationship between master/mentor vampire and apprentice growing into independence.
So, glad as I am that James D. Parriot did get his vampire tale made in 1989, I’m even gladder that he recast and relocated the project to give us a series with more depth and a greater Gothic feel.
For more info on the series and movie, check out:
This month has blue moons, two in one month. The first day of October this year was the first full moon of the month. So, we celebrated with a trip to New Hampshire that was a triple header for us. First, we visited the grave of my favorite actor, Claude Rains, in the Red Hill Cemetery. It’s a small, peaceful place, with lots of firefighters R.I.P.ing there. The graves of Mr. Rains and his wife Rosemary are beautiful polished black stone Gothic arches. To pay tribute, we brought one of the pumpkins that we had grown ourselves this year. I liked presenting a little gift that Yang and I had worked hard to cultivate together. The foliage by the cemetery hadn’t quite turned yet, but there were still some pretty trees. When we go a bit later in the season, you often see some magnificent colors. Check this link to a blog with pictures of the foliage in a past visit.
It was still a lovely place for Mr. Rains and his wife Rosemary to take their final rest. I did want to place the pumpkin between the graves to honor them both, but I was a little worried it might roll off or get pushed away if it weren’t resting against the stone. So, Mr. Rains got the pumpkin. Maybe next time, I’ll bring two, especially if we have a bigger pumpkin crop. Click here for news on what we did harvest.
We also did a drive- by of the classic colonial with it’s three pillars where Claude Rains last resided. I wonder what the inside is like? It was nice to see a Jean Shaheen sign out front. You can’t see it in this photo, though you can see a beautiful sugar maple behind and to the left of the house.
Next on the agenda was to hike the Mt. Roberts trail in Moultonborough. It’s on the grounds of the Castle in the Clouds, but it’s free to visit and hike. Usually, we go up Red Hill, but I asked if we could start with something that ascended a bit less steeply, as this was my first major mountain climb of the year-major for me, anyway. It really wasn’t all that easy, but the hike was definitely worth it! We enjoyed the terrain, the changing colors, sighting a Brown Thrasher and a Wood Thrush (thank God for binoculars!). When we got to an overlook, we sat and ate tea eggs that Yang had made, then chunks of the yummy pumpkin bread I’d baked the night before. I was tired when we got back down, but I loved it! There are lots of trails on these grounds, so I’m looking forward to going back.
We thought this little toad was cute, too!
Does anyone know what kind of tree this leaf comes from? It’s actually a little darker in real life. The camera was accidentally set to overcompensate, so I’ve tried to properly adjust the color to match what I actually saw. So, if you know what the tree is, drop me a line in comments of on FB. I’d really like to know!
Last and never least: the first full moon of October! Yang took me to Weir Beach-I hadn’t been there since I was a teenager! It was pretty deserted, after the summer season was done, but there was a nice boardwalk from which to view the moonrise. When the moon first came over the trees, it was ENORMOUS! I thought Kronos was rising. These picture don’t do it justice. Click on them to get a bigger image.
It was a lovely evening to complete an exciting day. Gosh, I love our autumn rambles through the Northeast! I hope you’re having some fun ones as well. And if you can’t get out, please enjoy these.
Bitter Rice is a hopeful film, as rousing a myth of national unity as Roberto Rossellini’s Rome, Open City (1945). Its young director, Guiseppe De Santis, was a member of the Italian Communist Party who had fought with the Roman Resistance, putting him in a strong position at the liberation. His first feature film, The Tragic Hunt (1947), received funding from the National Association of Italian Partisans and won the award for Best Italian Film at the 1947 Venice Film Festival.
A story of crime and passion set in the rice fields west of Milan, Bitter Rice owes much to James Cain, as far as its story is concerned, and to Dorothea Lange’s images of sharecroppers in the American South for its cinematography. Indeed, De Santis was an assistant director on Obsession (1943), Luchino Visconti’s adaptation of The Postman Always Rings Twice, but as a doctrinaire Marxist, his…
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Last Sunday, I managed to take a day off from working on novel #4 to join my two buddies MaryLynn Saul and Judy Jeon-Chapman for a lovely nature walk. Judy suggested that we visit Tower Hill Botanic Garden in Boylston, Ma – one of my favorite places. We also met Judy’s friend, the bubbly Christina, along the way – who shared a lovely picture of the four of us with me. In addition to wonderful plants and flowers, the Garden also has intriguing wind sculptures integrated into the greenery (amongst other colors). You can see one example behind MaryLynn and Judy here.
I also couldn’t help photographing some flowers that intrigued me, though there are too many to record. But I do love the blue color of these lovely blossoms. Are they large Forget-Me-Nots? I’d love to have them in my garden. I think they like shade. I was also delighted to see these brilliantly scarlet flowers. I had posted photos I’d seen of similar flowers when on a bike ride once, in hopes of getting an identification. Several of my friends pronounced them Cardinal Flowers, and the card underneath these confirmed that i.d. Problem solved!
The Gardens also possess a lovely wooded trail, filled with artfully placed sculpture that make you feel as if you had wandered into a Renaissance pastoral play or novel. Here’s Cupid, ready to fire off his arrows to spark the typical green- world love tangles. The glorius rays of the sun glint through the leaves, but will not burn us
An ancient Greek warrior peers out at us from the lost past, before this return to the Golden Age when honey and acorns dropped from trees.
Enjoy the ruins in which to recline and play your pipes or sigh away the hours in languid otium.
Gracefully sculpted urns are always conducive to pastoral ease – especially if they might hold delectable libation – and I’m not talking Moxie here.
My fellow mystery readers and writers might look at this picture and question, “What’s this?! What are they looking at?! Trouble in paradise? A murdered corpse discovered in the woods?” Sorry, mystery lovers. It was just a sign about fairies in the woods. If it makes you feel better, maybe they’re referring to traditional Medieval and Renaissance Fairies. Like this!
We also found this lovely rotunda with the words “Peace” inscribed on it. I thought it would be hilariously ironic for MaryLynn and I to stand under the word and pretend to strangle each other – she and Judy decided otherwise. Not everyone shares the Healy sense of humor. So, here you have a nice picture of MaryLynn and I before the structure, me holding the dahlias that Judy had purchased from the Dahlia Show that day. They actually go with my blouse.
All images, from author’s collection except:
1.the header from Christine Yen
2) the public domain image of the deamon fairy from: https://www.ancient-origins.net/myths-legends/fantasies-evil-spirits-faeries-medieval-imagination-007445
Maybe it was because I had the great pleasure of seeing Scherrie and Susaye of the Supremes with Joyce Vincent in Waltham this summer, but when I finally had a chance to work on a post and needed some enjoyable background music, I turned to Partners. This album is a 1979 joint effort by Scherrie Payne and Susaye Greene after Mary Wilson departed the Supremes in 1978. The ladies were originally planned to continue the Supremes with Joyce Vincent, but word is that the kibosh was put on the group continuing without an original member. As a result, we have this delightful and highly underappreciated production of Scherrie and Susaye (with Joyce in there on backup). This album should not be missed by anyone who is a fan of the ladies or loves good soulful and bluesy music. Significantly, Scherrie and Susaye wrote all the songs on the album, providing us with great dance tunes, lovely ballads, dreamy love songs, and playful exercises in vocal pleasure. You can’t help wondering what would have happened if Scherrie and Susaye had been allowed to write for the Supremes and Mary had stayed.
Anyway, I have some especial favorites. Susaye’s “Lovebug” is an impish delight with her vocally ranging from kittenish to tigerish, neatly assisted by Ray Charles as the “Lovebug,” himself. I find her “When the Day Comes every Evening” beautifully dreamy. I also love the exciting bounce of “In the Night,” “Leaving Me Was the Best Thing You’ve Ever Done” and “I Found Another Love.” Scherrie Payne’s “Another Life from Now” is powered by deep feeling and deft vocalizing that gives me chills, while breaking my heart at the message of lost love with hope for reunion only in another life from now: delicious melancholy. This is not to say that I don’t love the other songs, but these ones stick in my head the best. So, if you want your soul to make you bounce or groove or dream, this album is for you. Unfortunately, although it is now out on cd, it is exorbitantly expensive on Amazon. However, there are reasonably priced vinyl versions available on ebay. Click here.
Isn’t it wonderful that Scherrie and Susaye are back together – and touring and recording with Joyce? Go to their web site for more info.
Album cover: By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=6969828
The ground may be covered with snow right now, but it wasn’t so long ago that Yang and I had an autumn day at the beach. Of course, it was kind of a gothic day at the beach because we were visiting one of the famous Five Ruins of Connecticut, The Aquinas Retreat at Charles Island.
We hadn’t planned on starting the grand tour, but our love of ruins has already taken us to two of the locations in the set. I posted our earlier visit to Hearthstone Castle in Danbury, CT. So, that Sunday afternoon, we trekked down to Milford, CT to finally get the chance to travel the tombolo out across the bay to
the island. This trip had been on our agenda for years, but getting to the island is no easy feat – not because of reefs, pirates, or sea monsters, though. The ocean only subsides from the tombolo during low tide and this land path is only dry and clear enough when the moon and sun exert their strongest gravitational pull. On top of that, colonies of egrets and cranes nest on the island from April until September, so the Wildlife Service has deemed Charles Island off limits during that time.
There’s a legend about the island holding Captain Kidd’s hidden treasure, but the treasure we found were beautiful ocean scenes and fun walking and exploring the edges of the island that has a circumference of a bout a mile. The going could be a bit rocky and uneven when you start out counterclockwise, but you get to enjoy the gorgeous ocean bay as much as do the lounging cormorants.
Then there are the ruins of the Aquinas Retreat Center. Not many extensive ruins to find. Built in 1929 by the Dominican Fathers as a lay retreat, it was abandoned by 1938. Perhaps storms or difficult access for supplies undermined its success. At this point, there are barely the scraps of stone and mortar outlines left to some out buildings and small towers.
There was also one lovely archway. I wonder if this structure could be the remains of an entrance to a chapel or shrine.
This space must have been a wonderful location for contemplation and communing with God through nature amidst the calls of wild birds, the surge of waves, and the rush of wind.
We also saw some nice smaller birds on the island. Yang got a great shot of an Eastern Kingbird.
And while I was watching birds, Yang was watching me!
It was such a lovely, warm and sunny fall afternoon. There were families and young and old couples, also making the circuit of the island, but never so many you’d feel crowded – and the cormorants didn’t seem to mind.
Say, what do you think of this place for setting a mystery novel? In the 1860s, there was resort here. Maybe Jessica and James need a vacation, or Liz needs a retreat – Naagh, no shopping!