Category Archives: Gothic

Celebrating Claude Rains in New Hampshire

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About three weeks ago, my husband and I paid a visit to the Lake Winnipesaukee area.  I was  to be one of the reps at the Sisters In Crime booth at NELA in Burlington, Vt., so the day before we went north and visited the resting place of my favorite actor, Claude Rains.  It was a beautiful weekend!  The fall colors were in full flourish.  On the way up, we stopped in Concord for lunch then proceeded to the small, country cemetery that Mr. Rains and his wife Rosemary made their final resting place.

You can see Red Hill in the background,  much more of a mountain that a hill than some of the “mountains” that Yang and I have hiked.  One of my knees was acting up from climbing one of those smaller mountains – that was still big enough to give me trouble – so we didn’t go up that day.  I highly recommend the hike, though.  It’s invigorating and beautiful.  Anyway, that gave me more time for contemplation.

The stones for Claude Rains and Rosemary are beautiful  shiny black Gothic arches.  The script on them is also reminiscent of Gothic.  I love the sentiment of faith and endurance on both.  On Claude’s is:  “All Things Once/Are Things Forever,/ Soul Once Living/Lives forever.”   Rosemary’s says:  “When I Am Gone My Dearest,/ Sing No Sad Songs For Me,” a variation on a poem of Christina Rossetti (one of my favorite poets). I wonder whether they picked their epitaphs or if a loving family member selected them.

It’s nice to see that we aren’t the only admirers of Mr. Rains.  Yang and I left the pumpkins in honor of the autumn season of  harvest.  Someone else had also expressed his/her regard by carefully placing beautiful sunflower stalks,  before the stones.  In the center, you can also see some artificial flowers that have been set there in respect quite some time ago – we’ve seen them there over the years.  Perhaps someone else in our group payed respectful visits?

 

This cemetery is  beautiful.   I’m glad Claude and Rosemary picked it.  I have to share some lovely shots we got of the gorgeous New Hampshire foliage show.

 

 

 

 

 

 

 

 

 

I especially like the second one, because of the handsome guy in the shot: aka my husband who is always game for adventures in the wilds of the Northeast!

 

Finally, here are shots of the majestic farmhouse that Mr. Rains called his last home. I wonder what the inside is like? Isn’t the tree next to the house gorgeous?! We took three shots, but one came out too fuzzy.  Not supernatural interference, just our not being able to get the best lighting since we wanted to be unobtrusive.  Let no one calls those who honor Claude Rains stalkers!  I think this one might be the best shot, the crispest, anyway.  Below are some interesting links that tell you more about the cemetery and the farm house.  Just remember:  respect the privacy of others.  But I don’t have to tell that to anyone in our illustrious group!

 

So long for now and happy belated Claude Rains’s birthday to all!

Claude Rains’s Grave Atlas Obscura

O.T.I.S. – a nice description of the graveyard and the house

 

 

Adventures in the Lowell Cemetery, Part 1

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The weekend before Halloween, Yang and paid a visit to the Lowell Cemetery.  It isn’t the oldest burial ground in the city, but it’s probably the most Gothic, designed in the Romantic style, after Mt. Auburn in Cambridge, MA.  The fall colors were uneven in Lowell, as in most of central Mass.  However, we were able to get some lovely background shots, as you can see here.  Yang took this photo of the gate and a beautiful sugar maple next to it, from the inside of the cemetery.

 

The combination of fall colors and crypts and monuments made some wonderfully seasonable shots, especially since the cemetery has some unique and beautifully crafted monuments.  I love the  highlight the orange-flame gives to this crypt.

 

 

 

 

I was especially taken by this pillar topped with a kind of medieval church spire.   The burnt oranges and reds of the scenery create beautiful surroundings in the amber autumn sunset.    I was so impressed with the top of this monument, that I had to get a close up of it.  Definitely reminiscent of something out of the High Middle Ages.
Of course there were also some shots of the trees that were absolutely enthralling, too!

 

 

I was particularly taken with this relief carving of an angel ministering to penitent soul, on a stone nestled by a green pine against a background of soft  orange and golden foliage.

 

 

 

The relief carvings were some of the most striking and beautiful monuments that we viewed in the Lowell Cemetery.  One of the first ones that I noticed was of this angel presiding over the tomb with a cross.  Like many of the statues and monuments, it revealed its antiquity by the way mold, lichen, and moss had blurred its features. I love the way the sinking sun lends an gleam of divinity over the guardian angel.

 

 

The Parker crypt is guarded by two figures carved on either side of the entrance.  I’m not sure who or what the two figures represent beyond sorrow at death. Since we have a major thoroughfare in Lowell called Parker Street, and this tomb is on the elaborates side, the family must have been quite a powerful one in Lowell. No one named Ben, May, or Peter was listed on the site.

 

 

This stone combines media, stone and bronze.  Does the figure represent Death or Fate, quieting our questions and fears about what comes next with a finger to the lips.  I’m not sure if the form is male or female.  It’s more solemn than reassuring – a sober warning to the living that no secrets, hopes, or words escape from those who’ve passed beyond this vale of tears – or vale of soul-making if you’re into Keats.  Or maybe even this is a warning to give up asking questions when you enter into a realm beyond thought and languages as we know them.  Perhaps a close up will help us better read the warning of this eerie being, shroud ethereally encircling it.

 

 

Arguably my favorite monument is the verdigris-bronze piece on the front of this stone monument arching up from the hillside.  Who is buried here?  What is the person’s past?  Beliefs? to inspire such a powerful and eerie figure.  She seems like a sybil spreading her capes in warning – or is she an embodiment of Death come to sweep down on us and enfold us in her flowing, boundless cape?  I really need to do some research on the history of these wonderful works.  Are there any sculptures by famous or venerated artists in this cemetery?  At any rate, she definitely deserves a close up.

 

I have lots more photos to share, however, I don’t want you to succumb to cemetery overload.  This is enough delicious melancholy for now.  But don’t you think this place is so perfect a setting for parts of a Gothic novel?  I already have some ideas “haunting” my brain.  Anyway, I promise you another blog with more pictures soon.

Swan Point Twilight – Don’t Blink!

Last weekend, Yang and I paid a twilight visit to the Swan Point Cemetery in Providence.  It’s a beautiful cemetery on the bay, encircled and populated by graceful old trees.  The graveyard is designed in the Romantic style initiated by the Mt. Auburn Cemetery in Cambridge and emulated by others, such as Forest Hills in Jamaica Plain, the Lowell Cemetery (guess where), and Sleepy Hollow in Concord – Tarrytown, too!

This style is characterized by sloping greens; stately, shady trees; ponds; and monuments created to reflect both the sadness of loss and the serenity of eternal peace.  Keats and Shelley would just die, so to speak, for a sojourn here.

This cemetery is surrounded on the street side by a stone wall of large rocks.  So, it captures the New England tradition of dry stone walls, but adds solemn majesty by using boulders as its dry stones.  I love this configuration near the entrance.  We came here close to dusk because Rosie and ‘Tasha kept us out later than usual walking in the yard.  So, we had to hurry  a bit and were unable to stroll and take photographs at our leisure.

 

 

 

The posture and positioning of many of these statues seem to tell a moral about death.  Perhaps women were usually chosen to immortalize in keeping with Poe’s dictum that the saddest thing in the world is the death of a beautiful woman.  Each of these beautiful figures seems to convey a message back to the living.   This woman looks down on our world, bearing a veiled gift.  The broken column signifies a life cut off.  I’m not sure where I learned about the column, but I do remember it was a legitimate source.

 

 

 

 

 

Here, a woman peers off into the beyond, urging us to look upward and outward, past this vale of tears – or is that veil of tears?  Either makes sense in this context.  She also holds an anchor on her far side.  Does it symbolize that she is anchored to us, though she is looking to attain something beyond the earthly realm – or is she from a seafaring family?

 

 

I’m particularly interested in this figure, looking down at us from the heights of a pillar, perhaps symbolizing she is no longer anchored to this earth but soars above us toward the empyrean.  Still, her gaze of concern is fixed on us suffering mortals below.

I found this stylized monument of an angel  particularly intriguing.  Yang thought it had an Egyptian look, but I find it much more art deco.  It seems to flow down into the ground – or does it shoot upward?I didn’t have a chance to check the date on it to see if it fit into the deco period.  I’m so impressed by its soft but still clean lines.

 

 

The weathering of this limestone angel blurs and softens it’s features so that it seems ethereal – and more than a little eerie.  What do you think?  What does she perceive hovering above even her?  Don’t blink!

 

 

 

 

 

The cemetery has other lovely qualities. There is a pond surrounded by hedges, but I didn’t get any pictures this time.  We had to rush.  However, I did get a shot of this gazebo.  What a wonderful place to sit and read.  Yang graded papers here, while I attended a Renaissance Conference in town one time.

 

 

I have to add that there are some impressive selections of Celtic crosses.    Some in family groupings.

 

 

 

 

 

Others even in pairs.

 

 

I especially loved the balustrades or curved stone work surrounding or leading up to family burial plots.  The first of these pictures shows a lovely plaza surrounded by a bowed stone rail.  I remember when there were actually a barrier of tall yews forming a second circle inside the balustrade.  You couldn’t see within the green cavern it created.  One of the grounds-people told me they had to cut  down the yews because weird stuff went on in there at times.  This was some time ago that I heard this tale.  I hadn’t heard any tales about these gently curving steps and barrier, leading to this prominent family’s plot.  I do love the graceful shape.

 

 

 

 

 

Of course, here are the pictures that all you faithful Lovecraftians are waiting for:  Mr. Lovecraft’s family plot and monuments.  We actually had some shots of me next to the monuments, but I looked awful enough to give a Shuggoth the willies.  So, vanity prevailed and I ditched them.  You may notice that there were deposits of presents by Mr. H.P.’s grave.  If you look carefully on the gravestone, you can see that his birthday had been just a few days before.

 

 

 

 

 

There are lots of beautiful scenes that I hadn’t time to photograph that twilight, but seeing that I couldn’t fit in all the wonderful images that I took this trip, I don’t feel too bad now about not getting them.  There should be another trip, maybe when the fall colors are aflame.  Won’t that be a treat to see?  So, with this proud, victorious angel, I will bid you adieu and slip away into the gloaming – whatever the heck a gloaming is!

Carven (not craven) Creatures of the Big Apple

 On one of our several peregrinations to NYC, Yang and I were strolling around the upper Westside, near Central Park, where we were taken by the marvelous reliefs and carvings on the nineteenth- and early twentieth-century buildings.  Here’s a record of that intriguing stroll.

 I’m not sure if this is the head of a cupid or a Roman youth.  It looks like wood lacquered over  black paint.  Or it could be masonry painted over.  What do you think?  I love the sheaf of what look like cattails surrounded by scrollwork.

 

The whole side of this building was alternating Classical mythological figures and Green Men – sort of like the melange of classical and native mythos in A Midsummer Night’s Dream.  I decided to include only this detail of what looks like Athena flanked by two Green Men.  I’m fascinated by the thought of who decided on this design.  Was it the architect’s idea or did the original owner order the magical artwork?  Was it a signal of the owner’s or the architect’s learning and sophistication?

 

Here, you can see swans above gryphons holding escutcheons, but with no motto or symbol on the shield.  The wider shot below illustrates the art deco design over the entranceway.  Would this building have been constructed in the 1920s or ’30s?

We photographed these reliefs of mythical beasts on one building.  I can definitely identify the creature over the entrance as a dragon.  The others I’m not so sure about at all.

 

I think this might be a form of a gryphon.  It has a lionlike head and paws in front. It is a winged critter,  Yet, are its hindquarters too reptilian?

 

 

 

These next ones have me really scratching my head.  I seem to have heard of some mythic beast with the tail of a snake, but I can’t quite remember what it was.  I definitely see a bird’s wings and claws.  However, what is the head?  A dog?  A donkey? El chupacabra?

This one completely knocks me for a loop.  The head is clearly reminiscent of what all MST3K fans will recognize as Trumpie from The Pod People.  So, is it proof of earlier alien invasions?  Interestingly, the creature doesn’t seem to have both arms and legs, but one pair of limbs that could serve both purposes – unless the wings count as arms/hands – as with bats.

 

I’m not sure if these chaps are supposed to be gods or Green Men, but the fellow in the other picture certainly looks as if he could be Bacchus.  I love the contrast of the red brick with the cream-colored carvings.

 

 

 

 

 

Finally, this shot is particularly interesting for more than one reason.  First, of course, is the graceful carving of the British lions above the entrance.  Especially interesting is the cat in the window perfectly situated above the lions.  However, if you take a closer look at the cat you may exclaim, “Say what!”

That sweep of black fur across the forehead, that little smutch of black fur under the nose.  Good Gravy Train!  The cat looks like Hitler! How embarrassing in front of the other cats.

A Haunting We will Go – to Quebec!

At the end of May, Yang and I had the good fortune to join the WSU French Club’s trip to Quebec City.  The tours of the history, churches, and gorgeous natural landmarks were wonderful but the treat of the treats was our Saturday night Ghost Tour of the city.  We gathered in an old stone courtyard on a lovely, softly lit evening and met our guide, a delightful ghoul who in life had been a city executioner in the 18th century.  So, he could tell us the history, as well as the scandals, of city – both could be mixed!  For example, we learned that he, like his predecessors and successors,  got his job by agreeing to take it on in lieu of being executed for being involved in a fatal tavern brawl.  Of course the aristocrat also involved got off while he had taken the entire rap – class privileges . . .
Still, he had a wonderful sense of humor about the situation, and was always solicitous enough to warn us about the “evil machines” (i.e. autos) when we crossed the streets. He also warned us against the various not-so-solicitous ghouls whom we met along the way.  Listening to them bantering back and forth with our guide, we learned quite a bit about the laws, customs, and mores of the early settlement, with a healthy dollop of scandal thrown in. 
This lovely lady ghost is picking out one of the students to be her third husband, after the first two accidentally-on-purpose died at her hands.  He looks a little nervous, doesn’t he?  He managed to tap dance out of the situation deftly. My friend Kathy Heal(e)y on the right seems to be enjoying the situation.  We also learned that the punishment for women who committed murder, even if they had no one to protect them from vicious or brutal husbands, was harsh and merciless, silently bringing home the injustice of pure patriarchal power. 

 

 

This charming ghost had an equally charming tale to tell about how a family friend traveling with her, her husband, and children went insane and axed them all to death.  Well, she was lucky enough to crawl, wounded, to a farmhouse, tell her story, then die.  Those Great White North Winters must have been brutal. 

 

 

In this scene, our ghostly guide explains the complications of what happened in divorces when the wife cheated on the husband, versus the husband on the wife.  Using some of us folks to represent husband- who-spends-too-much-time chopping trees, lonely wife, and overly friendly male neighbor, our ghoul worked it all out for us with an analogy about apple pies.  All I know is that Yang better not go testing anyone else’s recipe. I think Yang is trying to formulate the explanation into a Venn diagram in the picture

 

Then there was my encounter with the ghoul – a ghoul who had a grudge against our guide and planned to work it out with his axe – first on him then on us!  So when our guide turned to me (!?) for support, I went into high gear.  Forgive the plethora of pictures; I’m an unrepentant hambone!  I went all method actory and reached within for fierceness.  My motivation:  plagiarism!  In my most lowering teacher voice, I threatened the poor haunt with every punishment ever devised in the Academic Code of Conduct for Cheating if he dared lift a skeletal finger against my friendly ghoul or the folks in our tour.  I backed the poor soul across the square!  It was quite liberating.  I think I scared a ghost!  Ah, it was a tough semester!

 

But at the end we moved down to the lower city where we saw all the neat, European-styled shops and heard tales of ancient churches and threats of revolt, before all coming together is the dusk to commemorate out journey into an eerie past with a wonderful troupe of actors!

 

 

 

 

 

 

 

Worcester Gargoyles

Being a Gothic kind of a gal, I’ve been fascinated by the gargoyles I’ve found on churches in Worcester.  There may be more than these three examples, but these churches caught my eye.

stmatthews4The first example is a single, friendly gargoyle that curves along a corner of the St. Matthew’s Episcopal Church on Southbridge Street.  He gracefully curls his undercarriage toward you, his wings unfurl smoothly, and he seems to offer a friendly smile. stmatthews3 Unlike traditional gargoyles, designed to scare away demons or to embody the sin and monstrosity lurking in the human soul, he almost seems to embody the thought that what we may  judge monstrous, out of our own fears and prejudices, may actually be good and loving.  An interesting thought, right?

 

allsaints1All Saints’ Church has two gargoyle guardians allsaints2on its tower.  These fierce protectors are poised and ready take flight and dive bomb whatever demonic threats to the parish’s spiritual stability may lurk in the environs of  Irving Street, Worcester, Ma. The church has played allsaints3host to the Worcester State Chorale performances, and the acoustics for their exquisite singing  was breath taking!

 

 

 

 

 

 

The final church has a veritable feast of gargoyles, although some have disappeared mysteriously since first I sighted them.  Did they fly away?  Don’t blink, then, Dr.  Who fans!  Originally, the Union Congregational Church but now the Presbyterian Church of Ghana, this building is magnificent. The church has been likened to a scaled down version of Notre Dame de Paris.  Not as many gargoyles, but a respectable showing nonetheless. gargoyle4Apparently, the missing gargoyle did not fly off (no Mr. Norell around), but was removed and sold to clear debts (see WT&G story.)  The gargoyles that remain are, indeed, something else.  My husband and I took these photos early in January, when streams of frozen ice lent the creatures a special beauty.    We see that this poor chap seems to be feeling the cold intensely.  gargoyle1Perhaps he’s existing multi-dimensionally:  here and on Dante’s ninth level of hell.  Looks as if he has the satanic wings with which to create the freezing air.  He’s clearly not enjoying himself.

Or maybe he’s just guarding the front entrance to the church against the incursion of demons with his pal here.

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These are the only churches with gargoyles that I know of in Worcester.  If you know of more, please let me know;  I’d love to find them.  I find it interesting that though the Protestant Reformation slammed the Catholic Church for superstitious, distracting, and gaudy decorations, none of these gargoyle-inhabited churches are Catholic.  They’re all Protestant.  Go figure – just don’t blink.

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A Visit to the Cloisters

Many moons ago, back in grad school, my friend Andrea Rossi Reder told me about this wonderful museum of Medieval and Renaissance art, the Cloisters, that was constructed like a medieval cloistered monastery.  It took me a few years to get there, but my husband and I visited one spring some time ago.  It was a beautiful place, near Fort Tryon Park, overlooking the Hudson River.  I not only enjoyed all the exquisite art and the ancient-styled construction, but loved wandering the  herbal garden in the sun and warmth of spring.  Last week, my husband proved is is indeed “goals” by taking me back there after another stretch of many years.  This winter visit had charms of its own.  I had forgotten just how much I enjoyed the museum.
After taking the A-train from the 125th St. station, we hopped the 100 Bus to St. Nicholas Street, then another subway, and we were right outside Fort Tryon Park.  Crossing the park showed us the bleak beauty of winter, the red bar berry bushes, crimson hemlock berries,  and the frosty-blue berries of another type evergreen.  acloisters2We even got to see a fluffy, black squirrel, rare in my neck of the woods.  Then the Cloisters loomed through the trees against azure shading down to soft winter-blue skies .

 

 

These sculpture, likely not Medieval, greeted us as we made our way up the drive.  acloisters3We took turns guessing what the hell they were as we approached. I hit the jackpot with the conjecture of, “Pears?” For once, modern sculpture stuck in the middle of nature didn’t appear so terribly intrusive.

 

I like this shot of  the arched entry way. Note the cobblestone drive way.  We had to dodge a few not so Medieval buses dropping off passengers here. acloisters5I’ll apologize in advance for not having pictures of Yang.  We used his Ipad and I hate trying to take pictures with the darned thing. 

 

 

 

 

After entering and moving through the great hall, we moved off to the side to the square surrounding the cloisters garden, now closed off from us by glass – allowing us to look out at the neatly mown ghost of the  summer garden, while keeping the December cold outside.  acloisters10During the warmer months, this area is all open.  When I visited Mont St. Michel and saw their cloister garden growing within the monastery, high atop the island mountain, I realized the inspiration for the Cloisters garden.  Even with winter’s hand stilling the garden, the December sunshine filled the indoor court surrounding it with brightness and beauty.  acloisters9The carvings on the capitals of the columns were fascinating – humans, beasts (mythological and fanciful), gods – I could swear I saw C’thullu.  

 

 

We went back into the building proper, then wandered from room to interconnected room, drinking in the sacred images culled from monasteries, churches, and castles – excited to find these treasures opened up to our experience, but, perhaps, a bit troubled that they had been stripped from their original homes.  Still, here, they are restored, protected, and cherished. acloisters16Towards the end of our meander, we came across this carved altar with the golden reliquaries of a saint and her attendants – I think St. Ursula.

 

 

Female and male martyrs of the early Church were honored in stained glass, wooden statuary, and paintings. There were tons of artwork  of St. Margaret.   However, in honor of acloisters20my BFF Barbara, I have to include this statue of St. Barbara.

 

 

From the other side of the arch in the same chamber, here is one of my favorite statues of the Virgin Mary with the baby Jesus.  She is clothed in the sun and stands on the crescentacloisters21 moon.  Just to the left, you can see a carving of St. Christopher bearing the child Jesus.  These statues are more colorful than some of the others.  I don’t remember if their paint had been restored.  Most likely the case.

 

 

acloisters14Here are some more particularly striking carvings of Virgin and Child.  What must the colors have been like when this piece was even relatively new? The thought takes my breath away.  If you can look closely at the folds of Mary’s robes and the strands of her hair, you’ll be filled with amazement at the workmanship.  Truly, this work is a loving prayer.

 

 

 

 

Similarly, look at this exquisite piece.  I am amazed  at the fluid drapery of the folds ofacloisters32 her clothing, the mobile shape of her body, and the moving tenderness of her expression.  The soft shining polish of this wood dissolves any impression of stiffness and immobility.  The statue seems a fluid prayer of gentleness, love, and faith.  What a pity the Protestant Reformation looked at these works and only saw “painted idols” instead of art’s living prayer to God.

 

 

 

There is also a room in the lowest level, at the far end of the gallery, acloisters24designed like a crypt, that displays effigies. The ceiling is shaped into beautifully vaulted Gothic arches – again, I remembered Mont St. Michel.   I noticed one family had a faithful dog under the feet of the various sculpted forms of generations of its nobility. acloisters25 The novel The Undying Monster gives an intriguing play to this custom as a hint to the UM haunting its family through innumerable generations.  I guess when I go, they will have to surround me with  effigies of my plethora of cats!

 

 

We also made it into the unicorn room, with all the famous tapestries.  I was not pleased to see so many unicorns so mistreated.  No wonder they’re so hard to find nowadays – or it could have to do with the dearth of virgins. acloisters33jpg Nevertheless, I couldn’t report on a visit to the Cloisters without a picture of the most famous unicorn tapestry.

 

 

There were also displays of jewelry,  fine utensils, and various types of game boards. acloisters27There were several chess boards with figures carved from ivory or bone (whose?!), often with the knight displaying an accurate depiction of armor on man and horse.  My favorite was this chess set made out of amber.  If you look closely at the board, you can see pictures created in the chess squares.acloisters31

 

 

Of course, we also did some touristy things in town.  arockefeller3After a wonderful dinner at Alice’s Teacup – with equally wonderful tea! – we went to Rockefeller Center and got a look at the famous tree as well as the skating rink.

 

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So, by eight o’clock or so, we were on our train, heading back to Connecticut.  Our dogs might have been barking, but we ended the day culturally and spiritually enlightened.

Autumnal Woodlawn Cemetery – No Blinking!

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Three years ago, Yang and I took an autumnal visit to Woodlawn Cemetery in the Bronx.  This was our second visit.  Our first was in the summer, and we took many woodlawn1photos of the gorgeous sepulchres with their ornate carvings of lions and sphinxes, as well as beautiful stained glass inside.  This time, with the fall leaves beginning their metamorphoses into vivid colors, we concentrated on the outdoor imagery.  I love the way this angel is framed by the flaming curve of the branch and leaves above it.

 

 

woodlawn4I also found this figure fascinating, straining for freedom, emerging from his marble prison – perhaps to burst the bonds of the body’s clay and fly away on the sharp wind of the north to eternity.

 

 

 

woodlawn10We found this image especially beautiful, the soft orange of the tree leaves providing a brilliant background contrast to the soft grey/white of the stone and  the gentle and flowing draperies of woman portrayed here.

 

 

 

 

 

This woman draped meltingly over the tomb stone in her anguish was a deliciously melancholy image to ponder.woodlawn2 I actually manged to find a piece similar to this monument from Toscano to add to my own Halloween graveyard in my front yard this year.

 

 

 

I’m fascinated by this monument.  My guess is that the chap memorialized in Roman senatorial garb must have been a judge or a  high political figure. woodlawn3 I hope he met a better end than Julius Caesar!  I thought the warm orange of the tree behind his imposing statue made an appealing contrast.  Stern but not harsh features on this chap.

 

 

 

 

Happily, we found a wonderful living denizen in the cemetery.  woodlawn9Woodlawn also contains a beautiful reflecting lake, and this Great Egret found it just the ticket!  Of course, he was probably more up to fishing than reflecting – a bird’s got to eat!
There were other typical Victorian monuments, wonderfully complemented by the fall colors.woodlawn6  Here is a mother with her children.  One hopes this is not a comment on the high mother/child mortality rate but rather a celebration of deep feelings between parent and children.
I was intrigued by this praying woman, high atop her monument.  woodlawn11She almost has an aspect of the Catholic Virgin Mary, not what you would expect in a seemingly predominantly Protestant cemetery.  Again, the autumn trees provide a pleasurable contrast to the cool white and grey-aged stone.

 

 

This cemetery is indeed a pleasure to stroll through, just be sure to bring your camera – whatever season you visit!

Here’s a link that gives you a virtual tour.

 

Halloween Reading Treats!

Every October, I like to have some bedtime reading that suits the season.  I just finished two new books:  Midnight Fires and The Ghost and Mrs. Muir.  The first is a mystery by Nancy Means Wright that features Mary Wollstonecraft as its intrepid detective.  marywollstonecraftaWollstonecraft is a great choice for the role, as anyone who has read her Vindications would agree that she has all the nerve, smarts, and wit to boldly ask the questions and dig the dirt necessary for an investigator.  Her being cast in this role makes perfect sense. The novel is set during Wollstonecraft’s tenure as governess to the aristocratic Kingsborough family in Ireland and does a neat job of characterizing “the troubles.”  We also get good views of the workings of the Kingsborough family, as well as how contemporary views of women have stunted and warped them – right in line with MW’s own writings.  The descriptions of the landscapes are a pleasure to read as well.  Not least of all, the mystery has some neat twists and turns.

 

The Ghost and Mrs. Muir was a pleasantly amusing visit with the supernatural – a low key, smile-inducing progress of Lucy/Lucia Muir’s liberation from oppressive Edwardian propriety to become a mischievous, independent woman – with a little help from a frank and fiery sea captain’s ghost – though she was already well on her way to freedom before they met at Gull Cottage.ghost-tierney-really-good  There are some significant changes from book to film, but both work equally well.  I do think that Gene Tierney gives Lucia Muir a bit more power than the character in the book.

 

 

There are four books that I usually return to once I finish any new prizes for the month:  The Uninvited (Dorothy Mcardle), The Sign of the Ram (Margaret Ferguson), The Undying Monster (Jessie Douglas Kerriush), and  Redeeming Time (me, unpublished – yet!).  What I admire in the first three (and try to emulate in the fourth), is the depth of characterization, the creation of a powerful mystical/eerie atmosphere, the vividness of the landscapes, and the intelligence of the storylines. signoftheram What makes them such a pleasure to read is their authors’ deftness with language:  there’s enough detail to savor and shape your imagination but no excess or filler.  Right now, I’m working on The Uninvited.  I review it and The Sign of the Ram on this web site, under Golden Age MysteriesThe Undying Monster is part of the psychic detective genre, with a woman psychic brought in to help a scientist uncover the nature of the beast that has ravaged an ancient British family for centuries and now threatens to destroy his two close friends.  The novel deftly captures the post WWI fascination with psychic phenomenon and leads characters and readers into the dark depths of ancient ruins, crypts, and family history to reach a final, mystical resolution – and it’s a fun ride!

What’s Redeeming Time about?  Think H. P. Lovecraft meets film noir meets Indiana Jones meets Val Lewton.

Image of Gene Tierney from The Ghost and Mrs. Muir copyright 1946, 20th-Century Fox (http://classicbeckybrainfood.blogspot.com/2010/08/just-thought.html)

Horrors of the Yang Manse

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So, last week, I showed you what the outside of the Yang House of Horrors looked like. party1 Here, I will give you some images of the interior decorations. How about a look at the evil bride who faced you as you ascended the stairs in the gloom of the evening?

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This creature looks especially scary, when you bathe her in a black light!

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Of course, when you look down the corridor, you want to be greeted and guided by Halloween denizens.party6

 

 

 

 

 

 

Then, you defiintely need a comforting night light party20when you hit the bathroom on an eerie night like this.

 

 

 

We also have charming candles to guide you back down the stairs.party14

 

Watch out for otherworldly visitors peering in the window, maybe trying to lure you off to perdition. All I said to my friend Judy was, “Oh, Look. party18 There’s someone in the window behind you.” And this lost soul prompted a shriek from my pal. Judy still comes to my house, but she’s a little leery about glancing out the windows now.

The fireplace also has its share of holiday decor, including our home grown pumpkins! party16These bad boys/girls started growing as early as April and developed into lovely, strong pumpkins. We haven’t grown anything this big since we lived in Connecticut!

 

 

Now, my problem is going to be trying to measure dscn2498up to these decorations and those of years past. Ah well, who will I creep out this year? The trick is to place your creatures in shadows so that imagination does a large part of the work – especially when you hear sounds or glimpse preternatural beings in places where you wouldn’t expect them. Unfortunately, those kind of shadows don’t lend themselves to clear photographs, so they are hard to capture and present to you in pictures.

 

So, I’ll close with this goblin wishing you a fare thee well from atop his pumpkin throne! Enjoy your holiday, and be careful whom you invite to cross your threshold!

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