“Casting Shadows, Part Two”
 Philip Carlyle – The master of the Carlyle Estate where the Wellstone Mystery Hour is making its remote broadcast, Philip Carlyle has opened his home and the secrets of its past to answer the mystery behind the disappearances of Felicia Blasko and his brother Bill Carlyle. An engineer and businessman by profession, Philip still nurses the soul of a poet and musician, while holding secrets of his own concerning Felicia. Embodying Philip requires a man of power, incisive wit and vision, as well as a sympathetic sense of artistry ‒ someone whose fascination with Jessica Minton rings more sad than creepy. Claude Rains is my choice. Think of the urbanity and authority of his Victor Grandison in The Unsuspected and the sly, mordant humor in Casablanca’s Inspector Renault. Then there’s his incisive and forthright authority as Now Voyager’s Dr. Jaquith, tempered by his wry humor and genuine, though never soppy, compassion. Also think about the vulnerable passion of Paul Verin in The Man Who Reclaimed His Head, a quality that burns beneath the wall of authority in Job Skeffington of Mr. Skeffington. That’s the complexity of Philip Carlyle.
Jeanne Rivers and Madame Wanda are two ladies who may or may not be whom they seem.
 Jeanne Rivers is the housekeeper for Philip Carlyle in the mansion that Felicia haunts. She’s a top sergeant making the place run like clockwork, even managing to banish the indomitable Liz Minton from kitchen gossip fests with the help. Her wit can be acerbic, but she can show warmth and good humor when she’s helpful ‒ a woman of practical advice. She also has ties to the mansion’s tragic past that could open up its secrets. A fine choice to inspire Jeanne is Jean Brooks, leading lady of the RKO B-division. Brooks has demonstrated a dry and clever wit in such films as The Leopard Man, The Falcon in Hollywood, and The Falcon and the Co-eds. Falcon Tom Conway can’t get by without her popping up somewhere! Further our Ms. Brooks is no stranger to a cinematic world of shadows. A veteran of Val Lewton’s dark tales, in addition to playing a smart-talking gal in The Leopard Man, Brooks also portrayed the haunted Jacqueline in The Seventh Victim.
Madame Wanda – Wanda Hendrix brings more than a first name to Shadows’ medium. Apple- cheeked and merry-eyed, Hendrix played comedy deftly in films like Miss Tatlock’s Millions and The Admiral Was a Lady. Thus, Madame Wanda shatters the stereotypes of film mediums as otherworldly, mysterious, and at times even sinister. Our stylishly outfitted Madame Wanda is quick with a quip to challenge and defeat skepticism about her capabilities, especially from the suspicious Liz Minton and Gerry Davis. Still, Wanda’s description of her powers and her conjuring of a voice from beyond the pale demonstrate her bona fides for connecting with the supernatural. Preparing her for the darkness of Shadows, in My Own True Love and Ride the Pink Horse Hendrix moves through a post-war world now darkened by bitterness, vengeance, and corruption.
Next entry, a look at more of Jessica’s colleagues from the Wellstone Mystery Hour.
Images
-Claude Rains Photo from John Engstead. Star Shots: Fifty Years of Pictures and Stories by One of Hollywood’s Greatest Photographers. New York: EP Dutton, 1978. p. 185.
-Jean Brooks in white trenchcoat: Wikipedia public domain, https://en.wikipedia.org/wiki/Jean_Brooks#/media/File:Jean_Brooks_1940s_fan_photo.jpg
-Jean Brooks in plaid jacket public domain: https://commons.wikimedia.org/wiki/File:Jean_Brooks_in_The_Falcon_in_Danger_1943.png?uselang=en#Licensing
-Wanda Hendrix photo, Author’s collection
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Sharon Healy-Yang 
