Part Three: Always Play the Dark Horse
Casting Characters, Part 2: Letter from a Dead Man
Letter from a Dead Man gave me some nifty casting possibilities as well. For the experienced Detective Leo McLaughlan, I chose Fred MacMurray. Not the befuddled, cuddly MacMurray of My Three Sons, but the shrewd, been-around-the-block-a-few times version in Bordertown, Singapore, Calloway Went Thataway, and Double Indemnity (without the murderous leanings). Yup, I found great inspiration for Leo in Calloway when MacMurray’s jaded press agent told a neophyte Western actor, “You’ve got two expressions: hat on and hat off.”
Whom did I select for the sexy, treacherous Alanna Tewkesbury of the novel? None other than that queen of noir femme fatales, Claire Trevor. True, Trevor has played reliable smart-talking gals (Crackup), but her conniving dames luring men to do her selfish, illicit bidding in Murder, My Sweet and Johnny Angel were the ideal inspiration for Dead Man’s “barracuda in Max Factor.” Take a look at Trevor’s seductive first meeting with Philip Marlowe in Murder before you read Alanna’s interview with Leo McLaughlan and you’ll see exactly what I mean.
Don’t forget FBI agent Jeff Hooley in the novel, either. For him I went to a more modern source. Who might be a model for an acerbic, black-sheep agent with a touch of the romantic? A chap with a dark secret about betrayal and corruption driving him for justice? How about David Duchovney from The X-Files fitting the bill?
I decided to dip into my preoccupation with Star Trek for casting two supporting players in the cast. Iris’s boyfriend Walter Castle got his start in Walter Koenig, with a pun on the last name. It makes sense if you know German. And the mysterious Kavanaugh that Hooley sought out to clear his family name? Leonard Nimoy. Don’t you think he could do jaded, world-weary, and feelings tightly guarded? Don’t worry, though, there were no point ears in this role to keep his hat from fitting right.
So, whom from the classic era do you think might have inspired the Minton sisters’ friends Iris and Lois.? Or Alanna Tewkesbury’s torpedo Eddie Kubeck? Let me know what you think and I’ll let you know whom I had in mind.
Once again, Dusty is always Dusty.
Photos: No intention to violate copyright law,images used for entertainment and educational uses only. If there are any problems, contact me to remove the image
Readers often compliment me on the believability of the actors in my novels and ask me how I create even supporting characters who seem so human. One explanation I have harks back to my choice of the word “actors,” above. For I love to cast my novels as one might a movie. “Casting” my novels gives me a way to develop a more convincing character by drawing on actual expressions, ways of moving, ways of speaking, and general behavior.
My casting tends to reflect my preference for films of the golden age of Hollywood, especially the 1940s. Sometimes, I even select folks who are more contemporaneous, or more contemporary to when I was in my teens and twenties. I almost feel as if I’m creating exciting roles for some of my favorite performers that the limits of their careers might have denied them.
Many of you have heard me explain how the Minton sisters, Jessica and Liz, are based on the witty, smart, independent parts played by Joan Bennett and Rosalind Russell, respectively. You’ve also heard me mention that the sisters’ traits and relationship is also flavored by the wise cracking, warmth, and wackiness I share with my sister-in-law Pam Healy. But how about some of the supporting characters?
In Bait and Switch, Jessica’s boyfriend is drawn from a young Laurence Olivier. So, we have a chap with enough wit, charm, dependability, and good looks to give James Crawford a run for his money in the romance department. No Ralph Bellamys or Alan Mowbrays being obvious second choices in my books!
When it came to the law, I had some fun in this novel. James Crawford’s partner is gruff and sarcastic, with a bit of the old softie hidden under his prickly exterior. Who better to cast in this brusque-on-the-surface part of “the fire-plug” but Ed Asner of Lou Grant fame. James’s partner also hates spunk. Casting Detective Winston particularly gave me a chuckle. Loving irony, I thought it would be a hoot to have this intelligent, calm, world-weary, patient man be a dead ringer for Moe Howard of the Stooges. Characters in Bait and Switch trying to square his appearance with his capabilities provide some fun moments in the novel-though not so much for Jim Winston.
Who inspired the wise-guy cat, Dusty? None other than my first cat, Dusty. Want to hear more about her wise-cattery? Check out this blog that I did on her. All Hail Dusty!
“My Smart-Talking Gal Mystery Heroine: A Joan Bennett Birthday Tribute”
It’s only natural to honor Joan Bennett on her birthday by explaining her powerful influence on my writing. A lot of this influence goes back to my earlier years watching old movies. As a kid, I started out hooked on Bela Lugosi, Boris Karloff, and the rest of the stable of Universal and RKO horror films – God Bless Val Lewton! The mystery and otherworldliness of black and white film, the smart dialogue, the clever twists of plot that other forties and thirties film genres shared with horror lured me into a liminal world like a perpetual deep summer night. I was further captured by classic films’ biting wit, challenging plots, and independent women – especially in what I came to know as film noir. And who showed herself the queen of this world? Above them all, Joan Bennett.
I must admit that I first came really to know Joan when she appeared in Dark Shadows. Her Elizabeth Collins Stoddard was formidable, reminding me of my mother when I was in deep trouble. How could vampires, werewolves, and witches withstand her powerful, regal stare? Still, like my Mom, there was deep feeling and love for her daughter and her family. However, only in film did I discover Joan displaying one of the traits I loved best about my Mom: that witty, smart-talking-gal sense of humor. In outright comedy, Joan could drop a clever line with style and intelligence, but even in some of her darkest dramas that wit came through. What a delight to see her wield that humor to put firmly in their places anyone trying to crush or bamboozle her. In The House across the Bay, she undercuts a smart-mouth chorine who harangued her, “Cheep, cheep, cheep” with “Where’s the birdseed?” When the obnoxious woman tries to go after her physically, Joan rakes her over the coals with, “Just a minute, Miss Dimwit. I was silly enough to apologize, but now that you want to make something of it, I’ll give you a good reason. You’re a phony, you’ve got a voice like four panes of cracked glass, and about as much appeal as a can of embalming fluid. I could go on, but that ought to give you a rough idea of how I feel about you.” Eight years later, when Paul Henreid tries to disparage her cynicism towards him in The Scar with a deprecating, “You’re a bitter little lady,” she puts him in his place with a world-weary but tough, “It’s a bitter little world, full of sad surprises, and you don’t go around letting people hurt you.” In The Man I Married, Joan’s not even daunted by Nazis, telling her husband-turned-fascist, “Heil heel” when he promises to dump her and take their son. Her feistiness isn’t limited to verbiage, either. Take a gander at this picture.
Like my Mom, Joan played women of wit, strength, humanity, and confidence – not just what the New York Times dubbed her gallery of “hydrochloric dames.”
So, in my twenties, when I decided to take my writing seriously than developing Victoria Holt knock-offs or spoofs of Dark Shadows, I turned to 1940s style mysteries to inspire my own adventures of romance, danger, suspense, and wit. Interestingly, as a writer influenced by film, I found I could better create distinct, believable characters by casting them as actors with whom I was familiar, blending their traits with some of the people I knew (including myself!). I also knew that I didn’t want my heroine to be wimpy, weepy, and inclined to faint in the final reel or pages, which, unfortunately, did often happen on the page or screen in the ’40s and ’50s. Guess who I saw as perfect for the role of Jessica Minton, a smart, independent, quick-with-a-quip forties gal? Someone who had a sensitive heart and a strong sense of responsibility, but didn’t take guff from anyone – and would smack said guff out of the ballpark with whip smart humor.
I do see a lot of myself in Jessica – and in Joan’s less nasty roles – or maybe an idealized version of myself, anyway. I know that mischievous banter with those I love and pointed barbs for those I don’t is something I share with Jess, which Joan plays to perfection. However, I doubt that like Jessica, I’d have the guts to hold onto a mysterious package left by a mysterious and handsome British stranger at the risk of being liquidated by Nazi fifth columnists – to disguise myself as a maid to get into a criminal’s apartment while he’s still there (!) to retrieve a gun used to frame a friend – to grab a gunsel by the lapels and threaten to turn him into a soprano if he ever threatened my cat again – to show up in a shadow-draped room and wittily bargain with a gun-toting femme fatale and her hired gun to trade stolen jade for my friends’ lives – or to slip into a cove and explore a beached and rotting ship while layers of ocean fog swept in around me. I might dare to weaponize a banana-cream pie, but I can’t guarantee my aim would be as good as Jessica Minton’s. I can guarantee you that any fans of our Joanie could picture her carrying off these adventures with verve and wit, though not without human trepidation.
Those of us who love Joan Bennett and appreciate her talents would also, as Sam Fuller writes, see her as “a sensitive actress” enough to also believe her playing Jessica’s distress at being torn between loyalty to an old boyfriend and to a new man who brings her adventure and love; a sister who gets annoyed with her older sibling’s foibles leading them into danger but sticking by her to the end (though not without a smart quip or two exchanged between them); a sweetheart waiting to hear news of a fiancé lost in the war, then a wife supporting her husband’s struggle with memories from that war. And Jessica loves her cat. I know Joan was a dog person, but heck, there’s still part of me in Jessica Minton. So, she’s a cat person!
Anyway, that’s all I’ve got to say on the subject, but if you’d like to take a peek at some passages from Bait and Switch or Letter from a Dead Man, click on the links on the titles and have fun picturing Joan working her magic as Jessica Minton. Oh, and by the way, I cast her sister Elizabeth as Rosalind Russell (and my sister-on-law). Can you imagine what a grand ride it would have been to catch Joan and Roz trading quips with each other, then marshaling their humor to take on Nazis, criminally corrupt American aristocrats, femme fatales, underworld crooks, and crooked cops? And I’ve got two more books on the way! Viva Jessica Minton and Joan Bennett!
If you love mysteries on the screen or on the page, especially centered on the golden era, click here to go to my web page where you can find lots of interesting stuff – including my Joan Bennett tribute page!
Photos: Author’s collections
When we went to Plainfield for me to participate in the Sisters in Crime panel on creating mysteries, we stayed over night in Plymouth, NH at one of our favorite places, the Red Carpet Inn. For years Yang and I, myself alone, or myself and a pal had stayed there for the Medieval and Renaissance Forum when it was at Plymouth State University. It’s always been pleasant. Look at the beautiful view we had from our window!
The next day, we drove over to the Red Hill Cemetery where Claude Rains is buried with his wife Rosemary. He has a beautiful epitaph: “All things once are things forever, Soul, once living, lives forever.” His wife’s is a variation on lines from Christina Rosetti’s “When I Am Dead” Sonnet – one of my favorite poems. We always try to pay a visit. Just a simple way of saying, “Thanks for the great celluloid memories.” It’s a special treat to know that my favorite actor is resting near me. It almost feels like we’re neighbors. Don’t they have a beautiful view? That’s Red Hill in the background, which Yang and I try to climb in good weather –– we’re tired afterward, but it’s worth it.
When we stopped in Center Harbor, I found a neat independent book store, Bayswater Book Co. (12 Main St.). Of course, I scoped out the lovely little shop –– and ultimately managed to make arrangements to give a reading and signing on Saturday, July 9th, from 1:00-3:00. Drop by and meet me. Bait and Switch‘s Dusty will be be on the lookout for you!
I always wonder if this pun carries exactly the right connotations to bring in customers. It must work, ’cause it’s been there for like 20 years!
The Book Lover’s Gourmet is a little gem of a bookstore and cafe in Webster, MA. I was fortunate to do a reading and signing there on March 19th! There’s a lovely selection of books of all kinds, with an especially nice section of children’s books and another of local authors (including me!). Ah, the excitement of seeing your name and book title, well, not in lights – but at least in magic marker on the white board! There I am in turquoise, one of my favorite colors, third from the bottom.
So, let’s get started, in the cozy little room where people usually sit and enjoy scrumptious pastries – or quiche if they’re more in the mood for savory. And don’t forget the coffee, chai, lattes, and cappuccino – mine’s right behind me in this picture. I must have said something profound, because Bill Graves (one of my sharpest students) is smiling and pondering, while another sharp cookie, Joanne Evans, is exchanging deep thoughts on the writing and publishing processes with me. You can tell it’s a profound conversation by the way we’re raising our mitts to make our points. I just wonder what brings that cat-that-ate-the-canary smile to Kathy Healey’s face. She’s probably thinking about finally being finished editing the Gothic Landscapes book – well almost finally.
The conversation continues. Elizabeth Gaumond listens with rapt attention. I look reflective. So does Joanne – or has my reading put her to sleep? No, not the adventures of Jessica, Elizabeth, James, and Dusty!
Meanwhile, across the room, Pam Graves, Barbara Ingrassia, and Kate Zebrowski seem to be enjoying the reading of Jessica Minton’s encounter with a mysterious stranger, his mysterious package, and a threatening chap who’s built along the “graceful” lines of a fireplug. Note the display case of goodies behind them.
My husband Yang seems to be having a humorous time for himself with them and Cookie Gaumond (Elizabeth’s Mom). Maybe it was the line about Jessica fearing she might have to slug a G.I. for his Hershey bar. That’s not very patriotic of her! Barbara’s husband Tom gallantly rose to give up his seat for Cookie, so you don’t see him here.
Something that was particularly fun and informative about this session was that we had two other authors present. Joanne has authored and illustrated a marvelously beautiful, creative, informative and fun children’s book Seashells, Treasures from the Northeast Coast and graciously gifted me with a copy. I want to buy copies for the little kids in my life, now. Tom Ingrassia has written two books, himself. One, Reflections of a Love Supreme, is a wonderful book on the Motown story “through the eyes of the fans,” as the subheading explains. It’s filled with unique pictures from the fans and fascinating, fun background stories of fans and artists that don’t bog you down in all the depressing scandals but still give you an intriguing insight into the bonds between the people on both sides of the stage. One Door Closes is an enjoyable and helpful collection of essays by people who have dealt with disappointment and misfortune by redefining their lives creatively and joyously. Then, there were also some neophyte writers with questions about writing, publishing, promoting – as well as legal aspects – so, we could talk about our experiences to help them with their questions on how to get their writing off their computers and into the hands of the public. Barbara had great advice on legal concerns.
So, why am I excitedly on my feet here? I was delighted to find my friend and colleague, Jim Foley had come with his wife Lois and his son James. Yay! Fellow MST3K and Shakespeare and music fans! How can things go wrong?!
The day draws to a close, and I get to sign books for my delighted fans – and, no, students attending did not have to buy a book to pass my classes.
Well, I don’t know what cracked me up, but it must have been pretty good. Someone must have quoted a quip from those Smart-Talking Gals Jessica Minton and her sister Elizabeth Hennessey. Or maybe someone asked me if I was going to pick up the coffee and pastry tab for the whole crew? Anyway, this was a lovely gathering: old friends, new ones, all mixing together and either renewing old ties or forging new ones. That might be what I love best about these signings. They’re like parties where you catch up with people, meet new ones, and share dreams and ideas – and, of course, people buy my book.